Classical mythologyClassical mythology, also known as Greco-Roman mythology or Greek and Roman mythology, is the collective body and study of myths from the ancient Greeks and ancient Romans. Mythology, along with philosophy and political thought, is one of the major survivals of classical antiquity throughout later Western culture. The Greek word mythos refers to the spoken word or speech, but it also denotes a tale, story or narrative.
Catacombs of RomeThe Catacombs of Rome (Catacombe di Roma) are ancient catacombs, underground burial places in and around Rome, of which there are at least forty, some rediscovered only in recent decades. Though most famous for Christian burials, either in separate catacombs or mixed together, Jews and also adherents of a variety of pagan Roman religions were buried in catacombs, beginning in the 2nd century AD, occasioned by the ancient Roman ban on burials within a city, and also as a response to overcrowding and shortage of land.
TesseraA tessera (plural: tesserae, diminutive tessella) is an individual tile, usually formed in the shape of a square, used in creating a mosaic. It is also known as an abaciscus or abaculus. The oldest known tesserae date to the 3rd millennium BC, discovered in the ancient city of Shahdad in Kerman province, Iran. In early antiquity, mosaics were formed from naturally formed colored pebbles. By roughly 200 BC cut stone tesserae were being used in Hellenistic-Greek mosaics.
GlyptothekThe Glyptothek (ɡlʏptoˈteːk) is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures (hence γλυπτο- glypto- "sculpture", from the Greek verb γλύφειν glyphein "to carve" and the noun θήκη "container"). It was designed by Leo von Klenze in the neoclassical style, and built from 1816 to 1830. Today the museum is a part of the Kunstareal.
Campana reliefsCampana reliefs (also Campana tiles) are Ancient Roman terracotta reliefs made from the middle of the first century BC until the first half of the second century AD. They are named after the Italian collector Giampietro Campana, who first published these reliefs (1842). The reliefs were used as friezes at the top of a wall below the roof, and in other exterior locations, such as ridge tiles and antefixes, but also as decoration of interiors, typically with a number of sections forming a horizontal frieze.
Cameo (carving)Cameo (ˈkæmioʊ) is a method of carving an object such as an engraved gem, item of jewellery or vessel. It nearly always features a raised (positive) relief image; contrast with intaglio, which has a negative image. Originally, and still in discussing historical work, cameo only referred to works where the relief image was of a contrasting colour to the background; this was achieved by carefully carving a piece of material with a flat plane where two contrasting colours met, removing all the first colour except for the image to leave a contrasting background.
Gold glassGold glass or gold sandwich glass is a luxury form of glass where a decorative design in gold leaf is fused between two layers of glass. First found in Hellenistic Greece, it is especially characteristic of the Roman glass of the Late Empire in the 3rd and 4th century AD, where the gold decorated roundels of cups and other vessels were often cut out of the piece they had originally decorated and cemented to the walls of the catacombs of Rome as grave markers for the small recesses where bodies were buried.
Ancient Roman potteryPottery was produced in enormous quantities in ancient Rome, mostly for utilitarian purposes. Some of this pottery has been uncovered into the 21st century in the former territory of the Roman Empire, as well as in other parts of the world, especially in waste mounds such as Monte Testaccio. Roman domestic pottery can be divided broadly into coarse wares and fine wares, the former being the everyday pottery jars, dishes and bowls that were used for cooking or the storage and transport of foods and other goods, and in some cases also as tableware, and which were often made and bought locally.
Basilica of San VitaleThe Basilica of San Vitale is a late antique church in Ravenna, Italy. The sixth-century church is an important surviving example of early Christian Byzantine art and architecture. It is one of eight structures in Ravenna inscribed on the UNESCO World Heritage List. Its foundational inscription describes the church as a basilica, though its centrally-planned design is not typical of the basilica form. Within the Roman Catholic Church it holds the honorific title of basilica for its historic and ecclesial importance.
Pottery of ancient GreecePottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks.
