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Concept
Carolingian Renaissance
Summary
The Carolingian Renaissance was the first of three medieval renaissances, a period of cultural activity in the Carolingian Empire. It occurred from the late 8th century to the 9th century, taking inspiration from the Christian Roman Empire of the fourth century. During this period, there was an increase of literature, writing, visual arts, architecture, music, jurisprudence, liturgical reforms, and scriptural studies.
The movement occurred mostly during the reigns of Carolingian rulers Charlemagne and Louis the Pious. It was supported by the scholars of the Carolingian court, notably Alcuin of York. Charlemagne's Admonitio generalis (789) and Epistola de litteris colendis served as manifestos.
The effects of this cultural revival were mostly limited to a small group of court literati. According to John Contreni, "it had a spectacular effect on education and culture in Francia, a debatable effect on artistic endeavors, and an unmeasurable effect on what mattered most to the Carolingians, the moral regeneration of society". The secular and ecclesiastical leaders of the Carolingian Renaissance made efforts to write better Latin, to copy and preserve patristic and classical texts, and to develop a more legible, classicizing script, with clearly distinct capital and minuscule letters. It was the Carolingian minuscule that Renaissance humanists took to be Roman and employed as humanist minuscule, from which has developed early modern Italic script. They also applied rational ideas to social issues for the first time in centuries, providing a common language and writing style that enabled communication throughout most of Europe.
As Pierre Riché points out, the expression "Carolingian Renaissance" does not imply that Western Europe was barbaric or obscurantist before the Carolingian era. The centuries following the collapse of the Roman Empire in the West did not see an abrupt disappearance of the ancient schools, from which emerged Martianus Capella, Cassiodorus and Boethius, essential icons of the Roman cultural heritage in the Middle Ages, thanks to which the disciplines of liberal arts were preserved.
Official source
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