Architecture of the medieval cathedrals of EnglandThe medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region (or diocese) and houses the throne of a bishop (Late Latin ecclēsia cathedrālis, from the Greek, καθέδρα).
Gloucester CathedralGloucester Cathedral, formally the Cathedral Church of St Peter and the Holy and Indivisible Trinity, in Gloucester, England, stands in the north of the city near the River Severn. It originated with the establishment of a minster, Gloucester Abbey, dedicated to Saint Peter and founded by Osric, King of the Hwicce, in around 679. The subsequent history of the church is complex; Osric's foundation came under the control of the Benedictine Order at the beginning of the 11th century and in around 1058, Ealdred, Bishop of Worcester, established a new abbey "a little further from the place where it had stood".
Fan vaultA fan vault is a form of vault used in the Gothic style, in which the ribs are all of the same curve and spaced equidistantly, in a manner resembling a fan. The initiation and propagation of this design element is strongly associated with England. The earliest example, dating from about the year 1351, may be seen in the cloisters of Gloucester Cathedral. The largest fan vault in the world can be found in King's College Chapel, Cambridge. The fan vault is peculiar to England.
Architecture of cathedrals and great churchesThe architecture of cathedrals and great churches is characterised by the buildings' large scale and follows one of several branching traditions of form, function and style that derive ultimately from the Early Christian architectural traditions established in Late Antiquity during the Christianisation of the Roman Empire. Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches.
Tudor Revival architectureTudor Revival architecture, also known as mock Tudor in the UK, first manifested in domestic architecture in the United Kingdom in the latter half of the 19th century. Based on revival of aspects that were perceived as Tudor architecture, in reality it usually took the style of English vernacular architecture of the Middle Ages that had survived into the Tudor period. The style later became an influence elsewhere, especially the British colonies. For example, in New Zealand, the architect Francis Petre adapted the style for the local climate.
FlamboyantFlamboyant (from flamboyant) is a form of late Gothic architecture that developed in Europe in the Late Middle Ages and Renaissance, from around 1375 to the mid-16th century. In the French timetable of styles, as defined by French scholars, it is the fourth phase of Gothic style, preceded by Primary Gothic, Classic Gothic and Rayonnant Gothic. It is characterized by double curves forming flame-like shapes in the bar-tracery, which give the style its name; by the multiplication of ornamental ribs in the vaults; and by the use of the arch in accolade.
Purbeck MarblePurbeck Marble is a fossiliferous limestone found in the Isle of Purbeck, a peninsula in south-east Dorset, England. It is a variety of Purbeck stone that has been quarried since at least Roman times as a decorative building stone. Stratigraphically these limestone beds lie towards the top of the Durlston Formation of the Purbeck Group. They were deposited during the Berriasian age of the Early Cretaceous epoch. Purbeck Marble is not a metamorphic rock, like a true marble, but is so-called because it can take a fine polish.
OgeeAn ogee (oʊˈdʒiː ˈoʊdʒiː) is the name given to objects, elements, and curves—often seen in architecture and building trades—that have been variously described as serpentine-, extended S-, or sigmoid-shaped. Ogees consist of a "double curve", the combination of two semicircular curves or arcs that, as a result of a point of inflection from concave to convex or vice versa, have ends of the overall curve that point in opposite directions (and have tangents that are approximately parallel).
Boss (architecture)In architecture, a boss is a decorative knob on a ceiling, wall or sculpture. Bosses can often be found in the ceilings of buildings, particularly at the keystones at the intersections of a rib vault. In Gothic architecture, such roof bosses (or ceiling bosses) are often intricately carved with foliage, heraldic devices or other decorations. Many feature animals, birds, or human figures or faces, sometimes realistic, but often Grotesque: the Green Man is a frequent subject.
