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Concept
Gnome
Summary
A gnome noʊm is a mythological creature and diminutive spirit in Renaissance magic and alchemy, first introduced by Paracelsus in the 16th century and later adopted by authors including those of modern fantasy literature. Typically small humanoids who live underground, their characteristics are reinterpreted to suit various storytellers and artists.
Diminutive statues of gnomes introduced as lawn ornaments during the 19th century grew in popularity during the 20th century and came to be known as garden gnomes.
The word comes from Renaissance Latin gnomus, which first appears in A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits by Paracelsus, published posthumously in Nysa in 1566 (and again in the Johannes Huser edition of 1589–1591 from an autograph by Paracelsus).
The term may be an original invention of Paracelsus, possibly deriving the term from Latin gēnomos (itself representing a Greek γη-νομος, approximately "gē-nomos", literally "earth-dweller"). In this case, the omission of the ē is referred to as a blunder by the Oxford English Dictionary (OED). Paracelsus uses Gnomi as a synonym of Pygmæi and classifies them as earth elementals. He describes them as two spans high, very reluctant to interact with humans, and able to move through solid earth as easily as humans move through air.
The chthonic or earth-dwelling spirit has precedents in numerous ancient and medieval mythologies, often guarding mines and precious underground treasures, notably in the Germanic dwarfs and the Greek Chalybes, Telchines or Dactyls. The gnomes of Swiss folklore follow this template, as they are said to have caused the landslide that destroyed the Swiss village of Plurs in 1618 - the villagers had become wealthy from a local gold mine created by the gnomes, who poured liquid gold down into a vein for the benefit of humans, and were corrupted by this newfound prosperity, which greatly offended the gnomes.
The English word is attested from the early 18th century. Gnomes are used in Alexander Pope's "The Rape of the Lock".
Official source
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