ThéâtrophoneThéâtrophone ("the theatre phone") was a telephonic distribution system available in portions of Europe that allowed the subscribers to listen to opera and theatre performances over the telephone lines. The théâtrophone evolved from a Clément Ader invention, which was first demonstrated in 1881, in Paris. Subsequently, in 1890, the invention was commercialized by Compagnie du Théâtrophone, which continued to operate until 1932.
Dummy head recordingIn acoustics, the dummy head recording (also known as artificial head, Kunstkopf or Head and Torso Simulator) is a method of recording used to generate binaural recordings. The tracks are then listened to through headphones allowing for the listener to hear from the dummy’s perspective. The dummy head is designed to record multiple sounds at the same time enabling it to be exceptional at recording music as well as in other industries where multiple sound sources are involved.
Sweet spot (acoustics)The sweet spot is a term used by audiophiles and recording engineers to describe the focal point between two speakers, where an individual is fully capable of hearing the stereo audio mix the way it was intended to be heard by the mixer. The sweet spot is the location which creates an equilateral triangle together with the stereo loudspeakers, the stereo triangle. In the case of surround sound, this is the focal point between four or more speakers, i.e., the location at which all wave fronts arrive simultaneously.
MagnetophonMagnetophone, or simply Magnetophon, was the brand or model name of the pioneering reel-to-reel tape recorder developed by engineers of the German electronics company AEG in the 1930s, based on the magnetic tape invention by Fritz Pfleumer. AEG created the world's first practical tape recorder, the K1, first demonstrated in Germany in 1935 at the Berlin Radio Show. Later models introduced the concept of AC tape bias, which improved the sound quality by largely eliminating background hiss.
In-ear monitorIn-ear monitors, or simply IEMs or in-ears, are devices used by musicians, audio engineers and audiophiles to listen to music or to hear a personal mix of vocals and stage instrumentation for live performance or recording studio mixing. They are also used by television presenters to receive vocal instructions, information and breaking news announcements from a producer that only the presenter hears. They are often custom-fitted to an individual's ears to provide comfort and a high level of noise reduction from ambient surroundings.
In-band on-channelIn-band on-channel (IBOC) is a hybrid method of transmitting digital radio and analog radio broadcast signals simultaneously on the same frequency. The name refers to the new digital signals being broadcast in the same AM or FM band (in-band), and associated with an existing radio channel (on-channel). By utilizing additional digital subcarriers or sidebands, digital information is "multiplexed" on existing signals, thus avoiding re-allocation of the broadcast bands. IBOC relies on unused areas of the existing spectrum to send its signals.
Audio mixing (recorded music)In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced.
