AshaAsha (ˈʌʃə) or arta (ˈɑrtə; 𐬀𐬴𐬀 Aṣ̌aArta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right' (or 'righteousness'), 'order' and 'right working'. For other connotations, see Meaning below. It is of cardinal importance to Zoroastrian theology and doctrine. In the moral sphere, aṣ̌a/arta represents what has been called "the decisive confessional concept of Zoroastrianism".
YazataYazata (𐬫𐬀𐬰𐬀𐬙𐬀) is the Avestan word for a Zoroastrian concept with a wide range of meanings but generally signifying (or used as an epithet of) a divinity. The term literally means "worthy of worship or veneration", and is thus, in this more general sense, also applied to certain healing plants, primordial creatures, the fravashis of the dead, and to certain prayers that are themselves considered holy. The yazatas collectively are "the good powers under Ahura Mazda", who is "the greatest of the yazatas".
YashtThe Yashts are a collection of twenty-one hymns in the Younger Avestan language. Each of these hymns invokes a specific Zoroastrian divinity or concept. Yasht chapter and verse pointers are traditionally abbreviated as Yt. The word yasht derives from Middle Persian 𐭩𐭱𐭲 yašt (“prayer, worship”) probably from Avestan 𐬫𐬀𐬱𐬙𐬀 (yašta, “honored”), from 𐬫𐬀𐬰 (yaz, “to worship, honor”), from Proto-Indo-European *yeh2ǵ- or *Hyaǵ-, and several hymns of the Yasna liturgy that "venerate by praise" are—in tradition—also nominally called yashts.
Gatha (Zoroaster)The Gathas (ˈgɑːtəz,_-tɑːz) are 17 Avestan hymns traditionally believed to have been composed by the prophet Zarathushtra (Zoroaster). They form the core of the Zoroastrian liturgy (the Yasna). They are arranged in five different modes or metres. The Avestan term gāθā (𐬔𐬁𐬚𐬁 "hymn", but also "mode, metre") is cognate with Sanskrit gāthā (गाथा), both from the Proto-Indo-Iranian word *gaHtháH, from the root *gaH- "to sing". The Gathas are in verse, metrical in the nature of ancient Iranian religious poetry, that is extremely terse.
AvestaThe Avesta (ə'vɛstə) is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the liturgical group is the Yasna, which takes its name from the Yasna ceremony, Zoroastrianism's primary act of worship, and at which the Yasna text is recited. The most important portion of the Yasna texts are the five Gathas, consisting of seventeen hymns attributed to Zoroaster himself.
SraoshaSraosha (𐬯𐬭𐬀𐬊𐬴𐬀 or 𐬯𐬆𐬭𐬀𐬊𐬴𐬀 'sroː.ʃa) is the Avestan name of the Zoroastrian yazata of "Conscience" and "Observance", which is also the literal meaning of his name. In the Middle Persian commentaries of the 9th-12th centuries, the divinity appears as 𐭮𐭫𐭥𐭱, S(a)rosh. This form appears in many variants in New Persian as well, for example سروش, Sorūsh.
VendidadThe Vendidad /ˈvendi'dæd/ or Videvdat or Videvdad is a collection of texts within the greater compendium of the Avesta. However, unlike the other texts of the Avesta, the Vendidad is an ecclesiastical code, not a liturgical manual. The name of the texts is a contraction of the Avestan language Vî-Daêvô-Dāta, "Given Against the Daevas (Demons)", and as the name suggests, the Vendidad is an enumeration of various manifestations of evil spirits, and ways to confound them.
DenkardThe Dēnkard or Dēnkart (Middle Persian: 𐭣𐭩𐭭𐭪𐭠𐭫𐭲 "Acts of Religion") is a 10th-century compendium of Zoroastrian beliefs and customs during the time. The Denkard is to a great extent considered an "Encyclopedia of Mazdaism" and is a valuable source of information on the religion especially during its Middle Persian iteration. The Denkard is not considered a sacred text by a majority of Zoroastrians, but is still considered worthy of study.
HaomaHaoma (ˈhoʊmə; Avestan: 𐬵𐬀𐬊𐬨𐬀) is a divine plant in Zoroastrianism and in later Persian culture and mythology. Haoma has its origins in Indo-Iranian religion and is the cognate of Vedic soma. Both Avestan haoma and Sanskrit soma derived from proto-Indo-Iranian *sauma. The linguistic root of the word haoma, hu-, and of soma, su-, suggests 'press' or 'pound'. In Old Persian cuneiform it was known as 𐏃𐎢𐎶 hauma, as in the DNa inscription (c. 490 BC) which makes reference to "haoma-drinking Scythians" (Sakā haumavargā).
AshavanAshavan (Avestan: 𐬀𐬴𐬀𐬬𐬀𐬥 ašavan) is a Zoroastrian theological term. It literally means "possessing/mastering aša" and has been interpreted as "possessing/mastering truth" or "possessing/mastering righteousness", but has further implications: It is an epithet of Ahura Mazda (Yasht 1.12). The term may then be applied to anything within the domain of Ahura Mazda and/or Aša (i.e. all of Creation), and excludes only that which is drəgvant "possessing lie" (YAv: drvant).
