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New materialism considers that the world and its histories are produced by a range of material forces that extend from the physical and the biological to the psychological, social and cultural. In recognizing that heritage is not held in objects alone, new ...
Due to the growing pressure of digitization and open access demands, cultural institutions are increasingly presenting their collections in digital space. Dealing with this constantly growing amount of data poses a major challenge, especially with regard t ...
In a society that recognizes the urgency of safeguarding the environment and drastically limiting land transformations and energy-intensive activities like constructing new buildings, the protection of architectural and environmental heritage is no longer ...
The role of digital information in everyday life divides out activities in interacting with the physical and the digital world. There is no connection between these worlds that is easily accessible, even though physical objects, persons, and real world eve ...
This chapter engages with the aura of real, digital, and material copies of objects in the context of museum exhibitions to explore the notion of the “proliferation of aura” as digital artworks reverberate with the original objects they reference. It descr ...
Permanence issues for digital photographs arise in three different areas. First, the materials used for digital hard copies should preferably be as permanent as the conventional photographic materials. Longevity of digital hard copy materials is affected b ...
