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Concept
Dramaturgy
Summary
Dramaturgy is the study of dramatic composition and the representation of the main elements of drama on the stage.
The term first appears in the eponymous work Hamburg Dramaturgy (1767–69) by Gotthold Ephraim Lessing. Lessing composed this collection of essays on the principles of drama while working as the world's first dramaturge at the Hamburg National Theatre. Dramaturgy is distinct from play writing and directing, although the three may be practiced by one individual. Some dramatists combine writing and dramaturgy when creating a drama. Others work with a specialist, called a dramaturge, to adapt a work for the stage.
Dramaturgy may also be broadly defined as "adapting a story to actable form." Dramaturgy gives a performance work foundation and structure. Often the dramaturge's strategy is to manipulate a narrative to reflect the current Zeitgeist through cross-cultural signs, theater- and film-historical references to genre, ideology, questions of gender and racial representation, etc., in the dramatization.
Dramaturgy as a practice-based as well as practice-led discipline was invented by Gotthold Ephraim Lessing, in the 18th century. The Theater of Hamburg engaged him for some years for a position today known as a "dramaturge". He was the first to occupy this role in European theater and described his task as that of a "dramatic judge" ("dramatischer Richter"), one who must assess the most compelling and appropriate means of staging a particular theatrical work. From 1767 to 1770, Lessing published a series of critical commentaries, Hamburg Dramaturgy (Hamburgische Dramaturgie). These works analyzed, criticized and theorized the current state of German theater, making Lessing the father of modern dramaturgy.
Following Lessing's Hamburgische Dramaturgie and Laokoon and Hegel's Aesthetics (1835–38), many subsequent authors, including Friedrich Hölderlin, Johann von Goethe, Friedrich Wilhelm Joseph Schelling, Thornton Wilder, Arthur Miller, and Tennessee Williams, reflected on the stage language of plays as a distinctive art form.
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