Concept

Italian literature

Summary
Italian literature is written in the Italian language, particularly within Italy. It may also refer to literature written by Italians or in other languages spoken in Italy, often languages that are closely related to modern Italian, including regional varieties and vernacular dialects. Italian literature begins in the 12th century, when in different regions of the peninsula the Italian vernacular started to be used in a literary manner. The Ritmo laurenziano is the first extant document of Italian literature. An early example of Italian literature is the tradition of vernacular lyric poetry performed in Occitan, which reached Italy by the end of the 12th century. In 1230, the Sicilian School became notable for being the first style in standard Italian. Dante Alighieri, one of the greatest of Italian poets, is notable for being the author of La Divina Commedia (The Divine Comedy, 1308–1320). Renaissance humanism developed during the 14th and the beginning of the 15th centuries; Italian humanists sought to create a citizenry able to speak and write with eloquence and clarity. Early Italian humanists, such as the lyric poet Francesco Petrarca and the Neoplatonist philosopher Marsilio Ficino, were erudite Classical scholars and great collectors of antique manuscripts. The Italian nobleman, statesman, and mecenate Lorenzo de Medici is regarded as the standard bearer of the influence of Florence on the Renaissance in the Italian states. The Italian polymath, scientist, and artist Leonardo da Vinci wrote a treatise on painting. The development of the drama in the 15th century was very great. In the 16th century, the fundamental characteristic of the era following the end of the Renaissance is that it perfected the Italian character of its language. Niccolò Machiavelli and Francesco Guicciardini were the chief originators of the science of history. Pietro Bembo was an influential figure in the development of the Italian language and an influence on the 16th-century revival of interest in the works of Petrarca.
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