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Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops. Vorticist paintings emphasised 'modern life' as an array of bold lines and harsh colours drawing the viewer's eye into the centre of the canvas and vorticist sculpture created energy and intensity through 'direct carving'. In the summer of 1913 Roger Fry, with Duncan Grant and Vanessa Bell, set up the Omega Workshops in Fitzrovia – in the heart of bohemian London. Fry was an advocate of an increasingly abstract art and design practice, and the studio/gallery/retail outlet allowed him to employ and support artists in sympathy with this approach, such as Wyndham Lewis, Frederick Etchells, Cuthbert Hamilton and Edward Wadsworth. Lewis had made an impact at the Allied Artists' Salon the previous year with a huge virtually abstract work, Kermesse (now lost), and in the same year he had worked with the American sculptor Jacob Epstein on the decoration of Madame Strindberg's notorious cabaret theatre club The Cave of the Golden Calf. Lewis and his Omega Workshop colleagues Etchells, Hamilton and Wadsworth exhibited together later in the year at Brighton with Epstein and David Bomberg. Lewis curated the exhibition's 'Cubist Room' and provided a written introduction in which he attempted to cohere the various strands of abstraction on display: 'These painters are not associated here, but form a vertiginous, but not exotic, island in the placid and respectable archipelago of English Art.

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Related concepts (12)

Vorticism

Art movement

An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality (figurative art).

Futurism

Futurism (Futurismo, futuˈrizmo) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo.