Audio feedback

Summary

Audio feedback (also known as acoustic feedback, simply as feedback) is a positive feedback situation which may occur when an acoustic path exists between an audio input (for example, a microphone or guitar pickup) and an audio output (for example, a loudspeaker). In this example, a signal received by the microphone is amplified and passed out of the loudspeaker. The sound from the loudspeaker can then be received by the microphone again, amplified further, and then passed out through the loudspeaker again. The frequency of the resulting howl is determined by resonance frequencies in the microphone, amplifier, and loudspeaker, the acoustics of the room, the directional pick-up and emission patterns of the microphone and loudspeaker, and the distance between them. The principles of audio feedback were first discovered by Danish scientist Søren Absalon Larsen, hence it is also known as the Larsen effect. Feedback is almost always considered undesirable when it occurs with a singer's

Official source

https://en.wikipedia.org/wiki/Audio_feedback

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Integrating Real-Time Room Acoustics Simulation into a CAD Modeling Software to Enhance the Architectural Design Process

Dirk Schröder

For architects, real-time 3D visual rendering of CAD-models is a valuable tool. The architect usually perceives the visual appearance of the building interior in a natural and realistic way during the design process. Unfortunately this only emphasizes the role of the visual appearance of a building, while the acoustics often remain disregarded. Controlling the room acoustics is not integrated into most architects’ workflows—due to a lack of tools. The present contribution describes a newly developed plug-in for adding an adequate 3D-acoustics feedback to the architect. To present intuitively the acoustical effect of the current design project, the plug-in uses real-time audio rendering and 3D-reproduction. The room acoustics of the design can be varied by modifying structural shapes as well as by changing the material selection. In addition to the audio feedback, also a visualization of important room acoustics qualities is provided by displaying color-coded maps inside the CAD software.

2014

Active Control mitigating the Ear Canal Occlusion Effect caused by Hearing Aids

Thomas Stefan Zurbrügg

The World Health Organization (WHO) estimates the prevalence of a disabling hearing loss to be above 5% world-wide 1. A treatment with a hearing aid - be it behind-the-ear (BTE), in-the-ear (ITE) or receiver-in-canal (RIC) - involves some degree of occlusion of the external ear canal. In many cases, this so-called occlusion effect (OE) leads to an unfamiliar perception of the hearing aid user’s own voice. This fact represents a limiting factor regarding the acceptance of hearing aids by potential users. This thesis focuses on modeling the physical occlusion effect caused by hearing aids and the investigation of active control approaches mitigating this adverse effect. A simple model based on audiological transfer functions is presented, discussed and validated in the first part of the thesis. This model is subsequently used as a basis for the analysis and the synthesis of an active control approach based on sound pressure feedback. The objective and subjective validation of this approach implemented as a prototype setup in a user-study is presented. Finally, the use of the insights from the first part for fitting a hearing aid incorporating such active occlusion control is suggested.

EPFL2014

A coding scheme is proposed for the memoryless Gaussian broadcast channel with correlated noises and feedback. For all noise correlations other than ±1, the gap between the sumrate that the scheme achieves and the full-cooperation bound vanishes as the signal-to-noise ratio tends to infinity. When the correlation coefficient is −1, the gains afforded by feedback are unbounded and the prelog is doubled. When the correlation coefficient is +1, we demonstrate a dichotomy that if the noise variances are equal, then feedback is useless, and otherwise, feedback affords unbounded rate gains and doubles the prelog. The unbounded feedback gains, however, require perfect (noiseless) feedback. When the feedback links are noisy, the feedback gains are bounded, unless the feedback noise decays to zero sufficiently fast with the signal-to-noise ratio. Extensions to more receivers are also discussed as is the memoryless Gaussian interference channel with feedback.

Institute of Electrical and Electronics Engineers2014