Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards.
The first Hong Kong action films favoured the wuxia style, emphasizing mysticism and swordplay, but this trend was politically suppressed in the 1930s and replaced by kung fu films that depicted more down-to-earth unarmed martial arts, often featuring folk heroes such as Wong Fei Hung. Post-war cultural upheavals led to a second wave of wuxia films with highly acrobatic violence, followed by the emergence of the grittier kung fu films for which the Shaw Brothers studio became best known.
Hong Kong action cinema peaked from the 1970s to the 1990s. The 1970s saw a resurgence in kung fu films during the rise and sudden death of Bruce Lee. He was succeeded in the 1980s by Jackie Chan—who popularized the use of comedy, dangerous stunts, and modern urban settings in action films—and Jet Li, whose authentic wushu skills appealed to both eastern and western audiences. The innovative work of directors and producers like Tsui Hark and John Woo introduced further variety, with genres such as heroic bloodshed and gun fu films, and themes such as triads and the supernatural. However, an exodus by many leading figures to Hollywood in the 1990s coincided with a downturn in the industry.
The signature contribution to action cinema from the Chinese-speaking world is the martial arts film, the most famous of which were developed in Hong Kong. The genre emerged first in Chinese popular literature.
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Carlos Ray "Chuck" Norris (born March 10, 1940) is an American martial artist and actor. He is a black belt in Tang Soo Do, Brazilian jiu jitsu and judo. After serving in the United States Air Force, Norris won many martial arts championships and later founded his own discipline Chun Kuk Do. Shortly after, in Hollywood, Norris trained celebrities in martial arts. Norris went on to appear in a minor role in the spy film The Wrecking Crew (1969). Friend and fellow martial artist Bruce Lee invited him to play one of the main villains in Way of the Dragon (1972).
Stage combat, fight craft or fight choreography is a specialised technique in theatre designed to create the illusion of physical combat without causing harm to the performers. It is employed in live stage plays as well as operatic and ballet productions. With the advent of cinema and television the term has widened to also include the choreography of filmed fighting sequences, as opposed to the earlier live performances on stage. It is closely related to the practice of stunts and is a common field of study for actors.
A stunt performer, often called a stuntman or stuntwoman and occasionally stuntperson or stunt-person, is a trained professional who performs daring acts, often as a career. Stunt performers usually appear in films or on television, as opposed to a daredevil, who performs for a live audience. When they take the place of another actor, they are known as stunt doubles. A stunt performer typically performs stunts intended for use in a film or dramatized television.