The cinema of Hong Kong () is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora).
For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely available and imitated.
Economically, the film industry together with the value added of cultural and creative industries represents 5 per cent of Hong Kong's economy.
Unlike many film industries, Hong Kong has enjoyed little or no direct government support, through either subsidies or import quotas. It is a thoroughly commercial cinema: highly corporate, concentrating on crowd-pleasing genres like comedy and action, and relying heavily on formulas, sequels and remakes.
Hong Kong film derives a number of elements from Hollywood, such as certain genre parameters, a "thrill-a-minute" philosophy and fast pacing and film editing. But the borrowings are filtered through elements from traditional Chinese drama and art, particularly a penchant for stylisation and a disregard for Western standards of realism. This, combined with a fast and loose approach to the filmmaking process, contributes to the energy and surreal imagination that foreign audiences note in Hong Kong cinema.
In 2010, the box office gross in Hong Kong was HK1.339billionandin2011itwasHK1.379 billion.
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Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal.
Infernal Affairs is a 2002 Hong Kong action thriller film co-directed by Andrew Lau and Alan Mak. Jointly written by Mak and Felix Chong, it stars Andy Lau, Tony Leung, Anthony Wong, Eric Tsang, Sammi Cheng and Kelly Chen. The film follows an undercover Hong Kong Police Force officer who infiltrates a Triad, and another officer who is secretly a spy for the same Triad. It is the first in the Infernal Affairs series and is followed by Infernal Affairs II and Infernal Affairs III.
Cantonese () is a language within the Chinese (Sinitic) branch of the Sino-Tibetan languages originating from the city of Guangzhou (historically known as Canton) and its surrounding Pearl River Delta. It is the traditional prestige variety of the Yue Chinese group, which has over 82.4 million native speakers. While the term Cantonese specifically refers to the prestige variety, it is often used to refer to the entire Yue subgroup of Chinese, including related but partially mutually intelligible varieties like Taishanese.
LE CINEMA, UN ART DU MONTAGE ? TECHNIQUE, ESTHETIQUE, THEORIE : Ce cours vise à proposer une histoire du cinéma au prisme du montage, envisagé autant comme pratique technique que comme concept théoriq
Digital technologies are transforming the film industry. Up until roughly a decade ago, the business model for film exhibition was based on theatrical release in combination with television sales and home cinema releases (video and DVD). Recently, many que ...
Digital technologies are transforming the film industry. Up until roughly a decade ago, the business model for film exhibition was based on theatrical release in combination with television sales and home cinema releases (video and DVD). Recently, many que ...