History paintingHistory painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word historia in Latin and histoire in French, meaning "story" or "narrative", and essentially means "story painting".
Buon frescois a fresco painting technique in which alkaline-resistant pigments, ground in water, are applied to wet plaster. It is distinguished from the fresco-secco (or a secco) and finto fresco techniques, in which paints are applied to dried plaster. The buon fresco technique consists of painting with pigment ground in water on a thin layer of wet, fresh, lime mortar or plaster, for which the Italian word is intonaco. Because of the chemical makeup of the plaster, a binder is not required.
Wet-on-wetWet-on-wet, or alla prima (Italian, meaning at first attempt), direct painting or au premier coup, is a painting technique in which layers of wet paint are applied to previously administered layers of wet paint. Used mostly in oil painting, the technique requires a fast way of working, because the work has to be finished before the first layers have dried. Traditionally, a new layer of oil-based paint is applied to most parts of a painting only after allowing a previous layer to dry completely; this drying process can take from several days to several weeks, depending on the thickness of the paint.
Grand mannerGrand Manner refers to an idealized aesthetic style derived from classicism and the art of the High Renaissance. In the eighteenth century, British artists and connoisseurs used the term to describe paintings that incorporated visual metaphors in order to suggest noble qualities. It was Sir Joshua Reynolds who gave currency to the term through his Discourses on Art, a series of lectures presented at the Royal Academy from 1769 to 1790, in which he contended that painters should perceive their subjects through generalization and idealization, rather than by the careful copy of nature.
Style (visual arts)In the visual arts, style is a "... distinctive manner which permits the grouping of works into related categories" or "... any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". It refers to the visual appearance of a work of art that relates it to other works by the same artist or one from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been the art historian's principal mode of classifying works of art.
Body artBody art is art made on, with, or consisting of, the human body. Body art covers a wide spectrum including tattoos, body piercings, scarification, and body painting. Body art may include performance art, body art is likewise utilized for investigations of the body in an assortment of different media including painting, casting, photography, film and video. More extreme body art can involve mutilation or pushing the body to its physical limits.
BronzinoAgnolo di Cosimo (ˈaɲɲolo di ˈkɔːzimo; 17 November 1503 - 23 November 1572), usually known as Bronzino (Il Bronzino il bronˈdziːno) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, Venus, Cupid, Folly and Time, c.
StaffageIn painting, staffage (stafaʒ) are the human and animal figures depicted in a scene, especially a landscape, that are not the primary subject matter of the work. Typically they are small, and there to add an indication of scale and add interest. Before the adoption of the word into the visual arts in the late eighteenth and early nineteenth centuries, Staffage in German could mean "accessories" or "decoration".
Modern artModern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art.
TaschenTaschen is a luxury art book publisher founded in 1980 by Benedikt Taschen in Cologne, Germany. As of January 2017, Taschen is co-managed by Benedikt Taschen and his eldest daughter, Marlene Taschen. The company began as Taschen Comics, publishing Benedikt's comic collection. Taschen focuses on making lesser-seen art available to mainstream bookstores, including fetishistic imagery, queer art, historical erotica, pornography, and adult magazines (including multiple books with Playboy magazine).
