Concept

Javanese dance

Summary
Javanese dance (Tarian Jawa; ꧋ꦠꦫꦶꦗꦮ) is the dances and art forms that were created and influenced by Javanese culture in Indonesia. Javanese dance movement is controlled, deliberate and refined. Javanese art often displays a finesse, and at the same time a serene composure which is elevated far above everything mundane. Javanese dance is usually associated with courtly, refined and sophisticated culture of the Javanese kratons, such as the bedhaya and srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as ronggeng, tayub, reog, and jaran kepang. Javanese dance and its discipline has different styles and philosophy compared to other Indonesian dance traditions. Unlike vigorous and expressive Balinese dance or cheerful and slightly sensual Sundanese dance, Javanese dance are commonly involving slow movements and graceful poses. Javanese dance have somewhat a meditative quality and tends to be more self-reflective, introspective and more oriented toward self-understanding. Javanese dance is usually associated with Wayang wong, and the palaces of Yogyakarta and Surakarta due to the nature of dance being a pusaka or sacred heirloom from ancestors of the palace rulers. These expressive dances are more than just dances, they are also used for moral education, emotional expression, and spreading of the Javanese culture. Javanese dance reflects the stratified hierarchy of Javanese society, and roughly can be identified within two mainstream of traditions: Court dances (tari kraton) Commoner dances (tari rakyat) The courtly Javanese palace dance is the type of dances that developed, nurtured and fostered by Javanese Kratons, mainly Yogyakarta Sultanate and Surakarta Sunanate, the patrons of Javanese Mataram culture. Javanese sultans are known as the patron and the creator of Javanese court dances. Kraton dances employs sets of rules about certain dance movements, body and hand gestures that requires discipline to learn.
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