Academic artAcademic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart.
Salon (Paris)[[File:Rixens jour de vernissage.jpg|thumb|right|300px|Formally dressed patrons at the Salon in 1890. 'Un Jour de vernissage au palais des Champs-Élysées by Jean-André Rixens featuring Tigresse apportant un paon à ses petits by Auguste Cain.]] The Salon (Salon), or rarely Paris Salon (French: Salon de Paris salɔ̃ də paʁi), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world.
PaintingPainting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting").
Académie royale d'architectureThe Académie Royale d'Architecture (akademi ʁwajal d‿aʁʃitɛktyʁ; "Royal Academy of Architecture") was a French learned society founded in 1671. It had a leading role in influencing architectural theory and education, not only in France, but throughout Europe and the Americas from the late 17th century to the mid-20th. The Académie Royale d'Architecture was founded on December 30, 1671, by Louis XIV, king of France under the impulsion of Jean-Baptiste Colbert.
