Mannerism (sometimes known as Late Renaissance) is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant. Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for its highly florid style and intellectual sophistication.
The definition of Mannerism and the phases within it continues to be a subject of debate among art historians. For example, some scholars have applied the label to certain early modern forms of literature (especially poetry) and music of the 16th and 17th centuries. The term is also used to refer to some late Gothic painters working in northern Europe from about 1500 to 1530, especially the Antwerp Mannerists—a group unrelated to the Italian movement. Mannerism has also been applied by analogy to the Silver Age of Latin literature.
The word "Mannerism" derives from the Italian maniera, meaning "style" or "manner". Like the English word "style", maniera can either indicate a specific type of style (a beautiful style, an abrasive style) or indicate an absolute that needs no qualification (someone "has style").
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The Renaissance (UKrᵻˈneɪsəns , USˈrɛnəsɑːns ) is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century.
The Italian Renaissance (Rinascimento rinaʃʃiˈmento) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted.
Michelangelo di Lodovico Buonarroti Simoni (mikeˈlandʒelo di lodoˈviːko ˌbwɔnarˈrɔːti siˈmoːni; 6 March 1475 – 18 February 1564), known as Michelangelo (ˌmaɪkəl'ændʒəloʊ,_ˌmIk-), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci.
This contribution is part of the monographic number of the Nederlands Yearbook for History of Art dedicated to a large overview on the “Art and Migration. Nethelandish Artists on the Move, 1400-1750”. In the dynamics of migration, circulation, establishing ...
Brill2014
Thanks to recent archival and historical researches it is now possible to specify the identity of some personalities told in the Lives of Van Mander relating and in close contact with Hans von Aachen. The reconstruction of Venice and Treviso context, in wh ...