This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Kaikei was a Japanese Busshi (sculptor of Buddha statue) of Kamakura period, known alongside Unkei. Because many busshi of the school have a name including kei (慶), his school is called Kei-ha (Kei school). Kaikei being also called Annami-dabutsu, his style is called Anna-miyō (Anna style) and is known to be intelligent, pictorial and delicate. Most of his works have a height of about three shaku, and there are many of his works in existence. Amitabha Triad in Jōdo-ji in Ono (1195) - National Treasure of Japan.
The Kei school was a Japanese school (style) of Buddhist sculpture which emerged in the early Kamakura period (c. 1200). Based in Nara, it was the dominant school in Buddhist sculpture in Japan into the 14th century, and remained influential until the 19th. Art historian Joan Stanley Baker cites the Kei school's early works as the last highpoint in the history of Japanese sculpture. The Kei school developed out of that led by the busshi (Buddhist sculptor) Jōchō's successor, Kakujō and Kakujō's son Raijō, the leading sculptors of the preceding generations.
Jōchō (定朝; died 1057 AD), also known as Jōchō Busshi, was a Japanese sculptor of the Heian period. He popularized the yosegi technique of sculpting a single figure out of many pieces of wood, and he redefined the canon of body proportions used to create Buddhist imagery. His style spread across Japan and defined Japanese sculpture for the next 150 years. Today, art historians cite Jōchō as "the first of a new kind of master sculptor" and "one of the most innovative artists Japan has ever produced.