Baguazhang

Baguazhang or Pakua chang () is one of the three main Chinese martial arts of the Wudang school, the other two being tai chi and Xingyiquan. It is more broadly grouped as an internal practice (or neijia). Bāguà zhǎng literally means "eight trigram palm", referring to the bagua "trigrams" of the I Ching, one of the canons of Taoism. The creation of Baguazhang as a formalized martial art, is attributed to Dong Haichuan, who is said to have learned from Taoist and Buddhist masters in the mountains of rural China during the early 19th century. Many Chinese authorities do not accept the Buddhist origin, instead maintaining that those teachers were purely Taoist in origin, the evidence lying in Baguazhang's frequent reference to core concepts central to Taoism, such as yin and yang theory, I Ching and Taoism's most distinctive paradigm, the Bagua diagram. The attribution to Buddhist teachers came from the 2nd generation teachers, i.e. Dong Haichuan's students, some of whom were Buddhist. There is evidence to suggest a synthesis of several pre-existing martial arts taught and practised in the region in which Dong Haichuan lived, combined with Taoist circle walking. Through his work as a servant in the Imperial Palace he impressed the emperor with his graceful movements and fighting skill, and became an instructor and a bodyguard to the court. Dong Haichuan taught for many years in Beijing, eventually earning patronage by the Imperial court. Famous disciples of Dong Haichuan to become teachers were Yin Fu, Cheng Tinghua, Ma Gui, Song Changrong (宋長榮), Liu Fengchun, Ma Weiqi (馬維棋), Liu Baozhen (劉寶珍), Liang Zhenpu, and Liu Dekuan (劉德寛). Although they were all students of the same teacher, their methods of training and expressions of palm techniques differed. The Cheng and Liu styles are said to specialize in "pushing" the palms, Yin style is known for "threading" the palms, Song's followers practice "Plum Flower" (梅花 Mei Hua) palm technique and Ma style palms are known as "hammers.