Concept
Ode
Related concepts (7)
Poetry
Poetry (a term derived from the Greek word poiesis, "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe.
Strophe
A strophe (ˈstroʊfiː) is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term stichic applies.
Epode
An epode is the third part of an ode that follows the strophe and the antistrophe and completes the movement. At a certain point in time the choirs, which had previously chanted to right of the altar or stage, and then to left of it, combined and sang in unison, or permitted the coryphaeus to sing for them all, while standing in the centre. With the appearance of Stesichorus and the evolution of choral lyric, a learned and artificial kind of poetry began to be cultivated in Greece, and a new form, the epode-song, came into existence.
Ode on a Grecian Urn
"Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819 (see 1820 in poetry). The poem is one of the "Great Odes of 1819", which also include "Ode on Indolence", "Ode on Melancholy", "Ode to a Nightingale", and "Ode to Psyche". Keats found existing forms in poetry unsatisfactory for his purpose, and in this collection he presented a new development of the ode form.
Antistrophe
Antistrophe (ἀντιστροφή, "a turning back") is the portion of an ode sung by the chorus in its returning movement from west to east in response to the strophe, which was sung from east to west. It has the nature of a reply and balances the effect of the strophe. Thus, in Gray's ode called "The Progress of Poesy" (excerpt below), the strophe, which dwelt in triumphant accents on the beauty, power and ecstasy verse, is answered by the antistrophe, in a depressed and melancholy key: Man's feeble race what ills await, Labour, and Penury, the racks of Pain, Disease and Sorrow's weeping Train, And Death, sad refuge from the storms of Fate, (etc.
Lyric poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also not equivalent to Ancient Greek lyric poetry, which was principally limited to song lyrics, or chanted verse. The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara, a seven-stringed lyre (hence "lyric").
Horace
Quintus Horatius Flaccus (ˈkɥiːn̪t̪ʊs̠ (h)ɔˈraːt̪iʊs̠ ˈfɫ̪akːʊs̠; 8 December 65 BC – 27 November 8 BC), commonly known in the English-speaking world as Horace (ˈhɒrɪs), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words.