Multilineal evolution is a 20th-century social theory about the evolution of societies and cultures. It is composed of many competing theories by various sociologists and anthropologists. This theory has replaced the older 19th century set of theories of unilineal evolution, where evolutionists were deeply interested in making generalizations. When critique of classical social evolutionism became widely accepted, modern anthropological and sociological approaches have changed to reflect their responses to the critique of their predecessor. Modern theories are careful to avoid unsourced, ethnocentric speculation, comparisons, or value judgements; more or less regarding individual societies as existing within their own historical contexts. These conditions provided the context for new theories such as cultural relativism and multilinear evolution, which criticizes the generalization of culture and hypothetical stages of evolution. Around 1940, a number of American anthropologists began rejecting the ideas of unilinear evolutionism and universal evolutionism, and began to move towards the idea of multilinear evolutionism. This theory focused around the process that culture moves forward down a number of paths consisting of different styles and lengths. By mid-twentieth century, anthropologists started to criticize the generalization of culture and the hypothetical stages of cultural evolution, and instead, started a new trend of viewing all cultures as unique according to time and place. Leslie White rejected the opposition between "primitive" and "modern" societies but did argue that societies could be distinguished based on the amount of energy they harnessed, and that increased energy allowed for greater social differentiation. White thought in broad, universal schemes, while anthropologists such as Julian Steward preferred to use a more limited, multilinear strategy. Steward rejected the 19th century notion of progress, and instead called attention to the Darwinian notion of "adaptation," arguing that all societies had to adapt to their environment in some way, but that the process could differ between cultures.
Marson Korbi, Pier Vittorio Aureli
Marson Korbi, Pier Vittorio Aureli
Martin Alois Rohrmeier, Fabian Claude Moss, Robert Lieck