Experimental filmExperimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Neo-ImpressionismNeo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods.
Cubo-FuturismCubo-Futurism (also, Kubo-Futurizm) was an art movement, developed within Russian Futurism, that arose in early 20th century Russian Empire, defined by its amalgamation of the artistic elements found in Italian Futurism and French Analytical Cubism. Cubo-Futurism was the main school of painting and sculpture practiced by the Russian Futurists. In 1913, the term ‘Cubo-Futurism’ first came to describe works from members of the poetry group ‘Hylaeans’, as they moved away from poetic Symbolism towards Futurism and zaum, the experimental “visual and sound poetry of Kruchenykh and Khlebninkov”.
Googie architectureGoogie architecture (ˈgu:gi ) is a type of futurist architecture influenced by car culture, jets, the Atomic Age and the Space Age. It originated in Southern California from the Streamline Moderne architecture of the 1930s, and was popular in the United States from roughly 1945 to the early 1970s. Googie-themed architecture was popular among roadside businesses, including motels, coffee houses and gas stations. The style later became widely known as part of the mid-century modern style, elements of which represent the populuxe aesthetic, as in Eero Saarinen's TWA Terminal.
Machine AgeThe Machine Age is an era that includes the early-to-mid 20th century, sometimes also including the late 19th century. An approximate dating would be about 1880 to 1945. Considered to be at its peak in the time between the first and second world wars, the Machine Age overlaps with the late part of the Second Industrial Revolution (which ended around 1914 at the start of World War I) and continues beyond it until 1945 at the end of World War II.
ArditiArditi (from the Italian verb ardire, lit. "to dare", and translates as "The Daring [Ones]") was the name adopted by a Royal Italian Army elite special force of World War I. They and the opposing German Stormtroopers were the first modern shock troops, and they have been called "the most feared corps by opposing armies". Reparti d'assalto (Assault Units) were formed in the summer of 1917 by Colonel Bassi, and were assigned the tactical role of shock troops, breaching enemy defenses in order to prepare the way for a broad infantry advance.
Section d'OrThe Section d'Or ("Golden Section"), also known as Groupe de Puteaux or Puteaux Group, was a collective of painters, sculptors, poets and critics associated with Cubism and Orphism. Based in the Parisian suburbs, the group held regular meetings at the home of the Duchamp brothers in Puteaux and at the studio of Albert Gleizes in Courbevoie. Active from 1911 to around 1914, members of the collective came to prominence in the wake of their controversial showing at the Salon des Indépendants in the spring of 1911.
SquadrismoSquadrismo (skwaˈdrizmo) was the movement of squadre d'azione (English: action squads), the fascist militias that were organised outside the authority of the Italian state and led by local leaders called ras (a title given to Abyssinian headmen). The militia originally consisted of farmers and middle-class people, who created their own defence from revolutionary socialists. Squadrismo became an important asset for the rise of the National Fascist Party, led by Benito Mussolini, and systematically used violence to eliminate any political parties that opposed to Italian Fascism.
PrimitivismIn the arts of the Western World, Primitivism is a mode of aesthetic idealization that means to recreate the experience of the primitive time, place, and person, either by emulation or by re-creation. In Western philosophy, Primitivism proposes that the people of a primitive society possess a morality and an ethics that are superior to the urban value system of civilized people. In European art, the aesthetics of primitivism included techniques, motifs, and styles copied from the arts of Asian, African, and Australasian peoples perceived as primitive in relation to the urban civilization of western Europe.
RetrofuturismRetrofuturism (adjective retrofuturistic or retrofuture) is a movement in the creative arts showing the influence of depictions of the future produced in an earlier era. If futurism is sometimes called a "science" bent on anticipating what will come, retrofuturism is the remembering of that anticipation. Characterized by a blend of old-fashioned "retro styles" with futuristic technology, retrofuturism explores the themes of tension between past and future, and between the alienating and empowering effects of technology.
