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Concept
Perth Theatre
Summary
Perth Theatre at 185 High Street (no longer its registered address) Perth, Scotland, opened in 1900 and was extended in the 1980s.
The building is category B listed by Historic Environment Scotland, and is operated by the charitable organisation Horsecross Arts, alongside sister venue Perth Concert Hall.
The theatre opened on Perth High Street in 1900 (replacing a previous one, built in 1820, that stood at the northeastern corner of Atholl and Kinnoull Streets), and was planned to seat 950 in the auditorium, with pit, two balconies and boxes. It was created by the Perth Theatre & Opera House Co Ltd and designed by Dundee's City Architect William Alexander. It is similar in style and layout to his design of Her Majesty's Theatre, Dundee, but on a smaller scale. The foundation stone was laid in 1899 by actor George Alexander. The founding lessee was JH Savile, who owned Paisley Theatre, and in 1909 bought the Perth theatre outright. The Savile family continued to run the theatre until 1935, staging drama, opera, musicals, pantomime, revues and variety. JH Savile also founded his own Repertory Companies in Paisley and Perth.
In 1935, Perth Theatre was sold to a new company created in London, the Perth Repertory Theatre Ltd., by Ernest Dence in support of his actress daughter Marjorie Dence, who succeeded as owner in 1937 on his death. Marjorie Dence and actor David Steuart co-founded their new venture, the Perth Repertory Company, whose annual and highly acclaimed work covered nine months of repertory in and around Perth with three months of touring of the Highlands & Islands, to the Northern Isles, and to the lowland towns of the Borders. In the first year alone 51 plays were produced. Perth Theatre hosted the first Scottish Theatre Festival in 1939 and again in 1945.
In her will, Dence gave first option to buy the theatre to the Scottish Committee of the Arts Council, which did so and transferred it to Perth City Council. Joan Knight was appointed as Artistic Director in 1968, continuing the repertory company and mentoring performers and would-be-directors.
Official source
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