Concept
Pottery
Related concepts (60)
Archaeological culture
An archaeological culture is a recurring assemblage of types of artifacts, buildings and monuments from a specific period and region that may constitute the material culture remains of a particular past human society. The connection between these types is an empirical observation, but their interpretation in terms of ethnic or political groups is based on archaeologists' understanding and interpretation and is in many cases subject to long-unresolved debates. The concept of the archaeological culture is fundamental to culture-historical archaeology.
Pottery of ancient Greece
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks.
Sancai
Sancai () is a versatile type of decoration on Chinese pottery using glazes or slip, predominantly in the three colours of brown (or amber), green, and a creamy off-white. It is particularly associated with the Tang dynasty (618–907) and its tomb figures, appearing around 700. Therefore, it is commonly referred to as Tang Sancai in Chinese. Tang sancai wares were sometimes referred in China and the West as egg-and-spinach by dealers, for their use of green, yellow, and white, especially when combined with a streaked effect.
Agate
Agate (ˈæɡɪt) is the banded variety of chalcedony, which comes in a wide variety of colors. Agates are primarily formed within volcanic and metamorphic rocks. The ornamental use of agate was common in Ancient Greece, in assorted jewelry and in the seal stones of Greek warriors, while bead necklaces with pierced and polished agate date back to the 3rd millennium BCE in the Indus Valley civilisation.
Yangshao culture
The Yangshao culture (仰韶文化, pinyin: Yǎngsháo wénhuà) was a Neolithic culture that existed extensively along the middle reaches of the Yellow River in China from around 5000 BC to 3000 BC. The culture is named after the Yangshao site, the first excavated site of this culture, which was discovered in 1921 in Yangshao town, Mianchi County, Sanmenxia, western Henan Province by the Swedish geologist Johan Gunnar Andersson (1874–1960). The culture flourished mainly in the provinces of Henan, Shaanxi and Shanxi.
Material culture
Material culture is the aspect of social reality grounded in the objects and architecture that surround people. It includes the usage, consumption, creation, and trade of objects as well as the behaviors, norms, and rituals that the objects create or take part in. Some scholars also include other intangible phenomena that include sound, smell and events, while some even consider language and media as part of it.
Archaeological site
An archaeological site is a place (or group of physical sites) in which evidence of past activity is preserved (either prehistoric or historic or contemporary), and which has been, or may be, investigated using the discipline of archaeology and represents a part of the archaeological record. Sites may range from those with few or no remains visible above ground, to buildings and other structures still in use. Beyond this, the definition and geographical extent of a "site" can vary widely, depending on the period studied and the theoretical approach of the archaeologist.
Terracotta Army
The Terracotta Army is a collection of terracotta sculptures depicting the armies of Qin Shi Huang, the first emperor of China. It is a form of funerary art buried with the emperor in 210–209 BCE with the purpose of protecting him in his afterlife. The figures, dating from approximately the late 200s BCE, were discovered in 1974 by local farmers in Lintong County, outside Xi'an, Shaanxi, China. The figures vary in height according to their rank, the tallest being the generals. The figures include warriors, chariots and horses.
Jingdezhen
Jingdezhen is a prefecture-level city, in northeastern Jiangxi province, with a total population of 1,669,057 (2018), bordering Anhui to the north. It is known as the "Porcelain Capital" because it has been producing Chinese ceramics for at least 1,000 years, and for much of that period Jingdezhen porcelain was the most important and finest quality in China. The city has a well-documented history that stretches back over 2,000 years. Throughout both the Spring and Autumn period and the Warring States period, the area of present-day Jingdezhen belonged to the Chu State.
Vitrification
Vitrification (, via French vitrifier) is the full or partial transformation of a substance into a glass, that is to say, a non-crystalline amorphous solid. Glasses differ from liquids structurally and glasses possess a higher degree of connectivity with the same Hausdorff dimensionality of bonds as crystals: dimH = 3. In the production of ceramics, vitrification is responsible for their impermeability to water. Vitrification is usually achieved by heating materials until they liquidize, then cooling the liquid, often rapidly, so that it passes through the glass transition to form a glassy solid.