Japanese pronouns are words in the Japanese language used to address or refer to present people or things, where present means people or things that can be pointed at. The position of things (far away, nearby) and their role in the current interaction (goods, addresser, addressee, bystander) are features of the meaning of those words. The use of pronouns, especially when referring to oneself and speaking in the first person, vary between gender, formality, dialect and region where Japanese is spoken. In contrast to present people and things, absent people and things can be referred to by naming; for example, by instantiating a class, "the house" (in a context where there is only one house) and presenting things in relation to the present, named and sui generis people or things can be "I'm going home", "I'm going to Hayao's place", "I'm going to the mayor's place", "I'm going to my mother's place" or "I'm going to my mother's friend's place". Functionally, deictic classifiers not only indicate that the referenced person or thing has a spatial position or an interactional role but also classify it to some extent. In addition, Japanese pronouns are restricted by a situation type (register): who is talking to whom about what and through which medium (spoken or written, staged or in private). In that sense, when a male is talking to his male friends, the pronoun set that is available to him is different from those available when a man of the same age talks to his wife and, vice versa, when a woman talks to her husband. These variations in pronoun availability are determined by the register. In linguistics, generativists and other structuralists suggest that the Japanese language does not have pronouns as such, since, unlike pronouns in most other languages that have them, these words are syntactically and morphologically identical to nouns. As functionalists point out, however, these words function as personal references, demonstratives, and reflexives, just as pronouns do in other languages.
Olaf Blanke, Silvio Ionta, Pär Halje