D-beatD-beat (also known as Discore, kängpunk, Discrust, and crust-beat) is a style of hardcore punk, developed in the early 1980s by imitators of Discharge, after whom the genre is named, as well as a drum beat characteristic of this subgenre. D-beat is known for its "grinding, distorted and brutally political" sound. Discharge may have themselves inherited the beat from Motörhead and the Buzzcocks. D-beat is closely associated with crust punk, which is a heavier, more complex variation.
Electronics in rock musicThe use of electronic music technology in rock music coincided with the practical availability of electronic musical instruments and the genre's emergence as a distinct style. Rock music has been highly dependent on technological developments, particularly the invention and refinement of the synthesizer, the development of the MIDI digital format and computer technology.
Gary GlitterPaul Francis Gadd (born 8 May 1944), best known by his stage name Gary Glitter, is an English former glam rock singer who achieved success in the 1970s and 1980s. His career ended after he was imprisoned for downloading child pornography in 1999. He was also convicted of child sexual abuse in 2006 and a series of sexual offences (including attempted rape) in 2015.
No waveNo wave was an avant-garde music and visual art scene which emerged in the late 1970s in downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic worldview. The movement was short-lived but highly influential in the music world.
Flood (producer)Mark Ellis (born 16 August 1960), known by his professional pseudonym Flood, is a British rock and synthpop record producer and audio engineer. Flood's list of work includes projects with New Order, U2, Nine Inch Nails, Marc and the Mambas, Depeche Mode, Gary Numan, Sneaker Pimps, King, Ministry, The Charlatans, Thirty Seconds to Mars, Erasure, Nick Cave and the Bad Seeds, PJ Harvey, Foals, a-ha, Orbital, Sigur Rós, The Jesus and Mary Chain, The Smashing Pumpkins, The Killers, White Lies, Pop Will Eat Itself, Warpaint, EOB, and Interpol.
KrautrockKrautrock (also called , German for ) is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music.
Experimental rockExperimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.
Remain in LightRemain in Light is the fourth studio album by American rock band Talking Heads, released on October 8, 1980 by Sire Records. It was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in Philadelphia during July and August 1980. It was the last Talking Heads album to be produced by Brian Eno. After the release of Fear of Music in 1979, Talking Heads and Eno sought to dispel notions of the band as a mere vehicle for frontman and songwriter David Byrne.
Art punkArt punk is a subgenre of punk rock in which artists go beyond the genre's rudimentary garage rock and are considered more sophisticated than their peers. These groups still generated punk's aesthetic of being simple, offensive, and free-spirited, but essentially attracted audiences other than the angry, working-class ones that surrounded pub rock. In the rock music of the 1970s, the "art" descriptor was generally understood to mean either "aggressively avant-garde" or "pretentiously progressive".
Suicide (1977 album)Suicide is the debut studio album from the American rock band Suicide. It was released in 1977 on Red Star Records and produced by Craig Leon and Marty Thau. The album was recorded in four days at Ultima Sound Studios in New York and featured Martin Rev's minimalist electronics and harsh, repetitive rhythms paired with Alan Vega's rock and roll-inspired vocals and depictions of urban life. Upon its initial release, Suicide was greeted with some favorable reception from the UK press, but was universally panned in the United States, where it failed to chart.
