Rock-cut architecture is the creation of structures, buildings, and sculptures by excavating solid rock where it naturally occurs. Intensely laborious when using ancient tools and methods, rock-cut architecture was presumably combined with quarrying the rock for use elsewhere. Though, in India and China, the terms cave and cavern are often applied to this form of man-made architecture, caves and caverns that began in natural form are not considered to be rock-cut architecture even if extensively modified. Although rock-cut structures differ from traditionally built structures in many ways, many rock-cut structures are made to replicate the facade or interior of traditional architectural forms. Interiors were usually carved out by starting at the roof of the planned space and then working downward. This technique prevents stones falling on workers below. The three main uses of rock-cut architecture were temples (like those in India), tombs, and cave dwellings (like those in Cappadocia).
A related term, monolithic architecture, refers to free-standing structures made of a single piece of material. Monolithic architecture is often rock-cut, as in the Ellora Kailasanathar Temple, but monolithic structures may also be cast of artificial material, such as concrete. The largest monolithic statue in the world, the Gommateshwara statue of Bahubali at Shravanabelagola in the Indian state of Karnataka, was carved in 983 CE from a single block of granite.
Some rock-cut architecture is excavated entirely in chambers under the surface of relatively level rock. This is especially common in rock-cut tombs. Excavations instead made into the side of a cliff or steep slope can feature an impressive facade, as in Lycian tombs, Petra, and the Ajanta Caves. The most laborious and imposing rock-cut architecture is the excavation of tall free-standing monolithic structures entirely below the surface level of the surrounding rock, in a large excavated hole around the structure. Ellora in India and the Zagwe-built Lalibela in Ethiopia provide some of the most famous examples of such structures.
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A rock relief or rock-cut relief is a relief sculpture carved on solid or "living rock" such as a cliff, rather than a detached piece of stone. They are a category of rock art, and sometimes found as part of, or in conjunction with, rock-cut architecture. However, they tend to be omitted in most works on rock art, which concentrate on engravings and paintings by prehistoric peoples. A few such works exploit the natural contours of the rock and use them to define an image, but they do not amount to man-made reliefs.
A monolithic church or rock-hewn church is a church made from a single block of stone. Because freestanding rocks of sufficient size are rare, such edifices are usually hewn into the ground or into the side of a hill or mountain. They can be of comparable architectural complexity to constructed buildings. The term monolithic church is used of churches in various countries, not least the complex of eleven churches in Lalibela, Ethiopia, believed to have been created in the 12th century.
Stone carving is an activity where pieces of rough natural stone are shaped by the controlled removal of stone. Owing to the permanence of the material, stone work has survived which was created during our prehistory or past time. Work carried out by paleolithic societies to create stone tools is more often referred to as knapping. Stone carving that is done to produce lettering is more often referred to as lettering. The process of removing stone from the earth is called mining or quarrying.
In recent decades, East and South-East Asia have became both politically and economically significant for the West and it is no longer possible to ignore the history and culture of this large portion of the world's population. Advanced studies on the vario ...