Rock-cut architecture is the creation of structures, buildings, and sculptures by excavating solid rock where it naturally occurs. Intensely laborious when using ancient tools and methods, rock-cut architecture was presumably combined with quarrying the rock for use elsewhere. Though, in India and China, the terms cave and cavern are often applied to this form of man-made architecture, caves and caverns that began in natural form are not considered to be rock-cut architecture even if extensively modified. Although rock-cut structures differ from traditionally built structures in many ways, many rock-cut structures are made to replicate the facade or interior of traditional architectural forms. Interiors were usually carved out by starting at the roof of the planned space and then working downward. This technique prevents stones falling on workers below. The three main uses of rock-cut architecture were temples (like those in India), tombs, and cave dwellings (like those in Cappadocia).
A related term, monolithic architecture, refers to free-standing structures made of a single piece of material. Monolithic architecture is often rock-cut, as in the Ellora Kailasanathar Temple, but monolithic structures may also be cast of artificial material, such as concrete. The largest monolithic statue in the world, the Gommateshwara statue of Bahubali at Shravanabelagola in the Indian state of Karnataka, was carved in 983 CE from a single block of granite.
Some rock-cut architecture is excavated entirely in chambers under the surface of relatively level rock. This is especially common in rock-cut tombs. Excavations instead made into the side of a cliff or steep slope can feature an impressive facade, as in Lycian tombs, Petra, and the Ajanta Caves. The most laborious and imposing rock-cut architecture is the excavation of tall free-standing monolithic structures entirely below the surface level of the surrounding rock, in a large excavated hole around the structure. Ellora in India and the Zagwe-built Lalibela in Ethiopia provide some of the most famous examples of such structures.
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A rock relief or rock-cut relief is a relief sculpture carved on solid or "living rock" such as a cliff, rather than a detached piece of stone. They are a category of rock art, and sometimes found as part of, or in conjunction with, rock-cut architecture. However, they tend to be omitted in most works on rock art, which concentrate on engravings and paintings by prehistoric peoples. A few such works exploit the natural contours of the rock and use them to define an image, but they do not amount to man-made reliefs.
Une église monolithe (ou église monolithique, ou encore église rupestre) est une église construite dans un bloc de pierre. Ce genre d'église se trouve généralement sur une pente de colline ou de montagne et sa complexité d'architecture peut être comparée à celle de bâtiments. Elle peut aussi être une grotte sommairement aménagée, voire décorée seulement (sculptures, fresques, statues). Une église peut aussi être partiellement rupestre en étant construite sur un terrain nu devant la roche, puis agrandie dans le rocher pour des raisons de place ou de défense.
La sculpture sur pierre est une activité ancienne consistant à façonner des morceaux de pierres ou de roches brutes par l'élimination contrôlée de matériau, c'est l'acte de mise en forme artistique de la pierre. La sculpture sur pierre est une technique particulière de sculpture en ce qu'elle désigne un mode de fabrication d'une œuvre différente du modelage en argile ou en fonte. Le terme ne doit pas être confondu avec l'activité des tailleurs de pierre qui façonnent des blocs de pierre destinés à la sculpture mais aussi à l'architecture, le bâtiment ou le génie civil.
In recent decades, East and South-East Asia have became both politically and economically significant for the West and it is no longer possible to ignore the history and culture of this large portion of the world's population. Advanced studies on the vario ...