Are you an EPFL student looking for a semester project?
Work with us on data science and visualisation projects, and deploy your project as an app on top of Graph Search.
Concept
Romanticism
Summary
Romanticism (also known as the Romantic movement or Romantic era) is an artistic and intellectual movement that originated in Europe towards the end of the 18th century. In most parts of Europe, it was at its peak from approximately 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of the past and nature, preferring the medieval to the classical. Romanticism was partly a reaction to the Industrial Revolution, and the prevailing ideology of the Age of Enlightenment, especially the scientific rationalization of Nature. It was embodied most strongly in the visual arts, music, and literature; it also had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics: Romantic thinking influenced conservatism, liberalism, radicalism, and nationalism.
The movement emphasized intense emotion as an authentic source of aesthetic experience. It granted a new importance to experiences of sympathy, awe, wonder, and terror, in part by naturalizing such emotions as responses to the "beautiful" and the "sublime". Romantics stressed the nobility of folk art and ancient cultural practices, but also championed radical politics, unconventional behavior, and authentic spontaneity. In contrast to the rationalism and classicism of the Enlightenment, Romanticism revived medievalism and juxtaposed a pastoral conception of a more "authentic" European past with a highly critical view of recent social changes, including urbanization, brought about by the Industrial Revolution.
Many Romantic ideals were first articulated by German thinkers in the Sturm und Drang movement, which elevated intuition and emotion above Enlightenment rationalism. The events and ideologies of the French Revolution were also direct influences on the movement; many early Romantics throughout Europe sympathized with the ideals and achievements of French revolutionaries.
Official source
About this result
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Related courses (2)
AR-365: Theory and architectural culture
Le cours offre un résumé de la théorie et la culture architecturales depuis 1789 dans le monde occidentale. Le but est de comprendre des textes dans lesquels l'architecture est définie comme une disci
AR-366: Theory and architectural culture: exercises
Le cours offre une méthode pour discerner et comprendre les idées, les théories et les valeurs culturelles dans des bâtiments et des projets d'architecture.
Related lectures (13)
Leicester Building Stirling
Explores the architectural design of the Leicester University engineering laboratory by James Stirling and James Gowan, blending American romantic tradition with European functionalism.
Artistic Rebellion: Modern Artists and the Theme of Wrestling
Explores modern artists' rebellion through the theme of wrestling, challenging traditional norms and societal conventions.
Derivatives of Entire Functions
Explores derivatives of entire functions and the use of Taylor series for function representation.
Related publications (13)
Il demone dell'analogia: Ovvero affinità e divergenze fra il compagno aristotele e noi
This laconic discourse uses the Aristotelian authority to define the role of the analogical procedure in the government of the architectural composition. Respecting its ambiguous balance between mathematical method and attitude of the imagination, analogy ...
2021The Tonal Diffusion Model
Martin Alois Rohrmeier, Fabian Claude Moss, Robert Lieck
Pitch-class distributions are of central relevance in music information retrieval, computational musicology and various other fields, such as music perception and cognition. However, despite their structure being closely related to the cognitively and musi ...
2020SWEDISH GRACE: A MERE INTERLUDE OR A FACET OF MODERNITY? First housing experiments in Stockholm
Sweden forms a strange case in the modern development, which this paper aims to examine in detail through the first housing district experiments in Stockholm. Its position on the fringe of the radical ferment of Europe implied a belated advent of modernism ...
2019Related people (2)
Related units (1)
Related concepts (85)
Gustave Flaubert
Gustave Flaubert (UKˈfloʊbɛər , USfloʊˈbɛər , ɡystav flobɛʁ; 12 December 1821 – 8 May 1880) was a French novelist. He has been considered the leading exponent of literary realism in his country and abroad. According to the literary theorist Cornelius Quassus, "in Flaubert, realism strives for formal perfection, so the presentation of reality tends to be neutral, emphasizing the values and importance of style as an objective method of presenting reality".
History painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word historia in Latin and histoire in French, meaning "story" or "narrative", and essentially means "story painting".
Moby-Dick
Moby-Dick; or, The Whale is an 1851 novel by American writer Herman Melville. The book is the sailor Ishmael's narrative of the maniacal quest of Ahab, captain of the whaling ship Pequod, for vengeance against Moby Dick, the giant white sperm whale that bit off his leg on the ship's previous voyage. A contribution to the literature of the American Renaissance, Moby-Dick was published to mixed reviews, was a commercial failure, and was out of print at the time of the author's death in 1891.