Image editing

Summary

Image editing encompasses the processes of altering s, whether they are digital photographs, traditional photo-chemical photographs, or illustrations. Traditional analog image editing is known as photo retouching, using tools such as an airbrush to modify photographs or editing illustrations with any traditional art medium. Graphic software programs, which can be broadly grouped into vector graphics editors, raster graphics editors, and 3D modelers, are the primary tools with which a user may manipulate, enhance, and transform images. Many image editing programs are also used to render or create computer art from scratch. The term "image editing" usually refers only to the editing of 2D images, not 3D ones. Basics of image editing Raster images are stored in a computer in the form of a grid of picture elements, or pixels. These pixels contain the image's color and brightness information. Image editors can change the pixels to enhance the image in many ways. The pixels

Official source

https://en.wikipedia.org/wiki/Image_editing

About this result

This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.

Related publications (44)

Related publications

Related people (4)

Related people

Related units (4)

Related units

Related concepts (35)

Related concepts

Related courses (13)

Related courses

Related lectures (20)

Related lectures

Resolution-robust Large Mask In painting with Fourier Convolutions

Anastasia Remizova

Modern image inpainting systems, despite the significant progress, often struggle with large missing areas, complex geometric structures, and high-resolution images. We find that one of the main reasons for that is the lack of an effective receptive field in both the inpainting network and the loss function. To alleviate this issue, we propose a new method called large mask inpainting (LaMa). LaMa is based on i) a new inpainting network architecture that uses fast Fourier convolutions (FFCs), which have the imagewide receptive field; ii) a high receptive field perceptual loss; iii) large training masks, which unlocks the potential of the first two components. Our inpainting network improves the state-of-the-art across a range of datasets and achieves excellent performance even in challenging scenarios, e.g. completion of periodic structures. Our model generalizes surprisingly well to resolutions that are higher than those seen at train time, and achieves this at lower parameter&time costs than the competitive baselines. The code is available at https://github.com/saic-mdal/lama.

IEEE COMPUTER SOC2022

An FPGA Based Practical Implementation of Stochastic Resonance For Image Enhancement

Sumit Kumar

ICLAB2019

Optimizing Latent Space Directions For GAN-based Local Image Editing

Ehsan Pajouheshgar, Sabine Süsstrunk, Tong Zhang

Generative Adversarial Network (GAN) based localized image editing can suffer from ambiguity between semantic attributes. We thus present a novel objective function to evaluate the locality of an image edit. By introducing the supervision from a pre-trained segmentation network and optimizing the objective function, our framework, called Locally Effective Latent Space Direction (LELSD), is applicable to any dataset and GAN architecture. Our method is also computationally fast and exhibits a high extent of disentanglement, which allows users to interactively perform a sequence of edits on an image. Our experiments on both GAN-generated and real images qualitatively demonstrate the high quality and advantages of our method.

IEEE2021