Arcadia (utopia)Arcadia (Αρκαδία) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word Arcadia to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology.
Golden age (metaphor)A golden age is a period considered the peak in the history of a country or people, a time period when the greatest achievements were made. The term originated from early Greek and Roman poets, who used it to refer to a time when mankind lived in a better time and was pure (see Golden Age). The ancient Greek poet Hesiod introduced the term in his Works and Days, when referring to the period when the "Golden Race" of man lived.
Ages of ManThe Ages of Man are the historical stages of human existence according to Greek mythology and its subsequent Roman interpretation. Both Hesiod and Ovid offered accounts of the successive ages of humanity, which tend to progress from an original, long-gone age in which humans enjoyed a nearly divine existence to the current age of the writer, in which humans are beset by innumerable pains and evils. In the two accounts that survive from Ancient Greece and Rome, this degradation of the human condition over time is indicated symbolically with metals of successively decreasing value (but increasing hardness).
GeorgicsThe Georgics (ˈdʒɔrdʒɪks ; Georgica ɡeˈoːrɡɪka) is a poem by Latin poet Virgil, likely published in 29 BCE. As the name suggests (from the Greek word γεωργικά, geōrgiká, i.e. "agricultural (things)") the subject of the poem is agriculture; but far from being an example of peaceful rural poetry, it is a work characterized by tensions in both theme and purpose. The Georgics is considered Virgil's second major work, following his Eclogues and preceding the Aeneid.
Noble savageIn Western anthropology, philosophy, and literature, the noble savage is a stock character who is uncorrupted by civilization. As such, the noble savage symbolizes the innate goodness and moral superiority of a primitive people living in harmony with Nature. In the heroic drama of the stageplay The Conquest of Granada by the Spaniards (1672), John Dryden represents the noble savage as an archetype of Man-as-Creature-of-Nature. The intellectual politics of the Stuart Restoration (1660–1688) expanded Dryden’s playwright usage of savage to denote a human wild beast and a wild man.
World to comeThe world to come, age to come, heaven on Earth, and the Kingdom of God are eschatological phrases reflecting the belief that the current world or current age is flawed or cursed and will be replaced in the future by a better world, age, or paradise. The concept is related to but differs from the concepts of heaven or the afterlife in that heaven is another place or state of existence generally seen as above the world, and the afterlife is generally an individual's continued existence after death.
PastoralThe pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target audience is typically an urban one. A pastoral is a work of this genre. A piece of music in the genre is usually referred to as a pastorale. The genre is also known as bucolic, from the Greek βουκολικόν, from βουκόλος, meaning a cowherd.
UtopiaA utopia (juːˈtoʊpiə ) typically describes an imaginary community or society that possesses highly desirable or near-perfect qualities for its members. It was coined by Sir Thomas More for his 1516 book Utopia, which describes a fictional island society in the New World. It can also refer to an intentional community. Hypothetical utopias focus on, among other things, equality in categories such as economics, government and justice, with the method and structure of proposed implementation varying according to ideology.
Pan (god)In ancient Greek religion and mythology, Pan (pæn; Pán) is the god of the wild, shepherds and flocks, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring.
Greek mythologyGreek mythology is the body of myths originally told by the ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the origin and nature of the world; the lives and activities of deities, heroes, and mythological creatures; and the origins and significance of the ancient Greeks' cult and ritual practices.
