Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines (e.g. archery, armed combat), by Classical times they were used generically for all fighting systems.
Among the most common terms today, śastra-vidyā, is a compound of the words (weapon) and (knowledge). Dhanurveda derives from the words for bow () and knowledge (), the "science of archery" in Puranic literature, later applied to martial arts in general. The Vishnu Purana text describes dhanuveda as one of the traditional eighteen branches of "applied knowledge" or upaveda, along with shastrashastra or military science. A later term, yuddha kalā, comes from the words yuddha meaning fight or combat and kalā meaning art or skill. The related term śastra kalā (lit. weapon art) usually refers specifically to armed disciplines. Another term, yuddha-vidyā or "combat knowledge", refers to the skills used on the battlefield, encompassing not only actual fighting but also battle formations and strategy. Martial arts are usually learnt and practiced in the traditional akharas.
An Indus valley civilization seal shows two men spearing one another in a duel which seem to be centered on a woman. A statue of a spear thrower was also excavated from an Indus valley site.
Dhanurveda, a section found in the Vedas (1500 BCE - 1100 BCE) contains references to martial arts. Indian epics contain the earliest accounts of combat, both armed and bare-handed. Most deities of the Hindu-Buddhist pantheon are armed with their own personal weapon, and are revered not only as master martial artists but often as originators of those systems themselves. The Mahabharata tells of fighters armed only with daggers besting lions, and describes a prolonged battle between Arjuna and Karna using bows, swords, trees, rocks and fists. Another unarmed battle in the Mahabharata describes two combatants boxing with clenched fists and fighting with kicks, finger strikes, knee strikes and headbutts.
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Akhara or Akhada (Sanskrit: अखाड़ा, shortened to Khara Hindi: खाड़ा) is an Indian word for a place of practice with facilities for boarding, lodging and training, both in the context of Indian martial artists or a sampradaya monastery for religious renunciates in Guru–shishya tradition. For example, in the context of the Dashanami Sampradaya sect, the word denotes both martial arts and religious monastic aspects of the trident wielding martial regiment of the renunciating sadhus.
Indianisation also known as Indianization, may refer to the spread of Indian languages, culture, diaspora, cuisines, economic reach and impact. Historical spread of Indian culture beyond India proper: Indomania or Indophilia refers to the special interest that Indian culture has generated in the world, more specifically the western world.
Vasishtha (वसिष्ठ, IAST: ) is one of the oldest and most revered Vedic rishis or sages, and one of the Saptarishis (seven great Rishis). Vashistha is credited as the chief author of Mandala 7 of the Rigveda. Vashishtha and his family are mentioned in Rigvedic verse 10.167.4, other Rigvedic mandalas and in many Vedic texts. His ideas have been influential and he was called the first sage of the Vedanta school of Hindu philosophy by Adi Shankara. The Yoga Vasishtha, Vasishtha Samhita, as well as some versions of the Agni Purana and Vishnu Purana are attributed to him.
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