Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines (e.g. archery, armed combat), by Classical times they were used generically for all fighting systems.
Among the most common terms today, śastra-vidyā, is a compound of the words (weapon) and (knowledge). Dhanurveda derives from the words for bow () and knowledge (), the "science of archery" in Puranic literature, later applied to martial arts in general. The Vishnu Purana text describes dhanuveda as one of the traditional eighteen branches of "applied knowledge" or upaveda, along with shastrashastra or military science. A later term, yuddha kalā, comes from the words yuddha meaning fight or combat and kalā meaning art or skill. The related term śastra kalā (lit. weapon art) usually refers specifically to armed disciplines. Another term, yuddha-vidyā or "combat knowledge", refers to the skills used on the battlefield, encompassing not only actual fighting but also battle formations and strategy. Martial arts are usually learnt and practiced in the traditional akharas.
An Indus valley civilization seal shows two men spearing one another in a duel which seem to be centered on a woman. A statue of a spear thrower was also excavated from an Indus valley site.
Dhanurveda, a section found in the Vedas (1500 BCE - 1100 BCE) contains references to martial arts. Indian epics contain the earliest accounts of combat, both armed and bare-handed. Most deities of the Hindu-Buddhist pantheon are armed with their own personal weapon, and are revered not only as master martial artists but often as originators of those systems themselves. The Mahabharata tells of fighters armed only with daggers besting lions, and describes a prolonged battle between Arjuna and Karna using bows, swords, trees, rocks and fists. Another unarmed battle in the Mahabharata describes two combatants boxing with clenched fists and fighting with kicks, finger strikes, knee strikes and headbutts.
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Akhara ou akhada (sanskrit et hindi : अखाड़ा) a un sens très large en Inde. Par le passé, un akhara était un camp d'entraînement des sâdhus guerriers. Aujourd'hui, un akhara est une arène dédiée au sport, un espace où se déroulent les combats sportifs, une salle de gymnastique, une sorte de monastère de sâdhus sédentaires, un lieu de campement durant les grands rassemblements religieux comme la Kumbh Mela. Au sens figuré, l’akhara est un champ de lutte.
Indianisation also known as Indianization, may refer to the spread of Indian languages, culture, diaspora, cuisines, economic reach and impact. Historical spread of Indian culture beyond India proper: Indomania or Indophilia refers to the special interest that Indian culture has generated in the world, more specifically the western world.
Dans la mythologie hindoue, Vasishtha, ou Vasiṣṭha (devanāgarī : वसिष्ठ), est un des saptarshi (Sept grands sages ou rishi) de l'ère (manvantara) de Svāyaṃbhuva. Vasishtha est l'un des plus vénérés des anciens rishis védiques et fait partie des Saptarishis ou des sept grands sages de l'Inde. Certains considèrent que Vasishtha est le premier sage de l'école de philosophie Vedanta. De nombreux mythes entourent la vie et les enseignents de Vasishtha . Le nom de Vasishtha signifie "meilleur", "le plus riche" et "le plus excellent" en sanskrit.
EncodingActs investigates how computational methods can facilitate the transmission of multifaceted knowledge within intangible cultural heritage (ICH). ICH, characterized by living, tacit, yet complex epistemic systems, is conventionally viewed as challen ...
EPFL2024
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Traditional martial arts are treasures of humanity's knowledge and critical carriers of sociocultural memories throughout history. However, such treasured practices have encountered various challenges in knowledge transmission and now feature many entries ...
2024
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