The literary genre of science fiction is diverse, and its exact definition remains a contested question among both scholars and devotees. This lack of consensus is reflected in debates about the genre's history, particularly over determining its exact origins. There are two broad camps of thought, one that identifies the genre's roots in early fantastical works such as the Sumerian Epic of Gilgamesh (earliest Sumerian text versions c. 2150–2000 BCE). A second approach argues that science fiction only became possible sometime between the 17th and early 19th centuries, following the scientific revolution and major discoveries in astronomy, physics, and mathematics.
Science fiction developed and boomed in the 20th century, as the deep integration of science and inventions into daily life encouraged a greater interest in literature that explores the relationship between technology, society, and the individual. Scholar Robert Scholes calls the history of science fiction "the history of humanity's changing attitudes toward space and time ... the history of our growing understanding of the universe and the position of our species in that universe". In recent decades, the genre has diversified and become firmly established as a major influence on global culture and thought.
There are a number of ancient or early modern texts including a great many epics and poems that contain fantastical or "science-fictional" elements, yet were written before the emergence of science fiction as a distinct genre. These texts often include elements such as a fantastical voyage to the moon or the use of imagined advanced technology. Although fantastical and science fiction-like elements and imagery exist in stories such as Ovid's Metamorphoses (8 AD), the Old English epic heroic poem Beowulf (8th–11th centuries AD), and the Middle German epic poem Nibelungenlied (c. 1230), their relative lack of references to science or technology puts them closer to fantasy rather than science fiction.
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Cet enseignement croise des approches culturelles (notamment dans les domaines littéraires ou artistiques), sociales et scientifiques pour penser les enjeux, les perspectives et les problèmes que soul
L'objectif de ce cours est d'étudier les différentes manifestations des mondes totalitaires dans la fiction. Plus précisément, nous regarderons comment les écrivains racontent l'aliénation de l'homme
L'objectif du cours est de d'apprendre à analyser un genre littéraire, graphique et cinématographique, la science-fiction, en se penchant sur les multiples variations qu'il a pris au cours du temps.
Scientific romance is an archaic, mainly British term for the genre of fiction now commonly known as science fiction. The term originated in the 1850s to describe both fiction and elements of scientific writing, but it has since come to refer to the science fiction of the late nineteenth and early twentieth centuries, primarily that of Jules Verne, H. G. Wells and Arthur Conan Doyle. In recent years the term has come to be applied to science fiction written in a deliberately anachronistic style as a homage to or pastiche of the original scientific romances.
Le Micromégas is a 1752 novella by the French philosopher and satirist Voltaire. Along with his story "Plato's Dream", it is an early example in the literary genre of science fiction and has its place in the development of the history of literature. Some uncertainty surrounds the first publication of Micromégas, with possible editions dating to 1751 or as early as 1739, but with the widely accepted publication being 1752. The tale recounts the visit to Earth of a being from a planet circling the star Sirius, and of his companion from the planet Saturn.
A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The English word to describe such a work derives from the novella for "new", "news", or "short story of something new", itself from the novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, in Chivalric romance, and in the tradition of the Italian Renaissance novella.
In her book "State Fiction" Denise Bertschi looks at how Switzerland's neutral mission in the Korean demilitarized zone contributed to the construction of the Swiss “neutral” national identity. Offering new perspectives in terms of geopolitical, military, ...
The public program in the context of Bianca Baldi’s solo exhibition deals with perspectives on the colonial image archive and asks for the potential of a critical redesign. On November 5 and 6, the invited artists and scholars will introduce alternative na ...
Under the title "State Fiction" (2014–2021) the artist's long-term research focusses on the zone that divides the two Koreas, a locus of congealed international Cold War interests and a source of improbable images. After an internationally brokered armisti ...