Digital photography

Summary

Digital photography uses cameras containing arrays of electronic photodetectors interfaced to an analog-to-digital converter (ADC) to produce s focused by a lens, as opposed to an exposure on photographic film. The digitized image is stored as a ready for further digital processing, viewing, electronic publishing, or digital printing. It is a form of digital imaging based on gathering visible light (or for scientific instruments, light in various ranges of the electromagnetic spectrum). Until the advent of such technology, photographs were made by exposing light-sensitive photographic film and paper, which was processed in liquid chemical solutions to develop and stabilize the image. are typically created solely by computer-based photoelectric and mechanical techniques, without wet bath chemical processing. In consumer markets, apart from enthusiast digital single-lens reflex cameras (DSLR), most digital cameras now come with an electronic viewfinder, which approximates the

Official source

https://en.wikipedia.org/wiki/Digital_photography

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Combining visible and near-infrared images for realistic skin smoothing

Nathalie Barbuscia, Sabine Süsstrunk

Skin tone images, portraits in particular, are of tremendous importance in digital photography, but a number of factors, such as pigmentation irregularities (e.g., moles, freckles), irritation, roughness, or wrinkles can reduce their appeal. Moreover, such “defects” are oftentimes enhanced by lighting conditions, e.g., when a flash is used. Starting with the observations that melanin and hemoglobin, the key components of skin colour, have little absorption in the near-infrared part of the spectrum, and that the depth of light penetration in the epidermis is proportional to the incident light’s wavelength, we propose that near-infrared images provide information that can be used to automatically smooth skin tones in a physically realistic manner. Specifically, we develop a framework that consists of capturing a pair of visible/near-infrared images and separating both of them into base and detail layers (akin to a low/high frequency decomposition) with the fast bilateral filter. We show that a smooth, realistic, output image can be obtained by fusing the base layer of the visible image with the near-infrared detail layer. This method not only outperforms equivalent decomposition in the wavelet domain, but the results also look more realistic than with a simple luminance transfer. Moreover, the proposed method delivers consistently good results across various skin types.

2009

Digitally, panoramic pictures can be assembled from several individual, overlapping photographs. While the geometric alignment of these photographs has retained a lot of attention from the computer vision community, the mapping of colour, i.e. the correction of colour mismatches, has not been studied extensively. In this article, we analyze the colour rendering of today’s digital photographic systems, and propose a method to correct for colour differences. The colour correction consists in retrieving linearized relative scene referred data from uncalibrated images by estimating the Opto-Electronic Conversion Function (OECF) and correcting for exposure, white-point, and vignetting variations between the individual pictures. Different OECF estimation methods are presented and evaluated in conjunction with motion estimation. The resulting panoramas, shown on examples using slides and digital photographs, yield much-improved visual quality compared to stitching using only motion estimation. Additionally, we show that colour correction can also improve the geometrical alignment.

2004

Social Game Epitome versus Automatic Visual Analysis

Touradj Ebrahimi, Lutz Goldmann, Ivan Ivanov, Péter Vajda

With the rapid growth of digital photography, sharing of photos with friends and family has become very popular. When people share their photos, they usually organize them in albums according to events or places. To tell the story of some important events in one's life, it is desirable to have an efficient summarization tool which can help people to get a quick overview of an album containing huge number of photos. In this paper, we analyze our approach for photo album summarization through a novel social game ``Epitome'' as a Facebook application. Our social game can collect research data and, at the same time, it provides a collage or a cover photo of the user's photo album, while, at the same time, the user enjoys playing the game. As a benchmark comparison to this game, we performed automatic visual analysis considering several state-of-the-art features.

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