Digital photography uses cameras containing arrays of electronic photodetectors interfaced to an analog-to-digital converter (ADC) to produce s focused by a lens, as opposed to an exposure on photographic film. The digitized image is stored as a ready for further digital processing, viewing, electronic publishing, or digital printing. It is a form of digital imaging based on gathering visible light (or for scientific instruments, light in various ranges of the electromagnetic spectrum).
Until the advent of such technology, photographs were made by exposing light-sensitive photographic film and paper, which was processed in liquid chemical solutions to develop and stabilize the image. are typically created solely by computer-based photoelectric and mechanical techniques, without wet bath chemical processing.
In consumer markets, apart from enthusiast digital single-lens reflex cameras (DSLR), most digital cameras now come with an electronic viewfinder, which approximates the final photograph in real-time. This enables the user to review, adjust, or delete a captured photograph within seconds, making this a form of instant photography, in contrast to most photochemical cameras from the preceding era.
Moreover, the onboard computational resources can usually perform aperture adjustment and focus adjustment (via inbuilt servomotors) as well as set the exposure level automatically, so these technical burdens are removed from the photographer unless the photographer feels competent to intercede (and the camera offers traditional controls). Electronic by nature, most digital cameras are instant, mechanized, and automatic in some or all functions. Digital cameras may choose to emulate traditional manual controls (rings, dials, sprung levers, and buttons) or it may instead provide a touchscreen interface for all functions; most camera phones fall into the latter category.
Digital photography spans a wide range of applications with a long history.
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Alliant numérique et histoire, ce cours propose une nouvelle approche de l'histoire des médias et du journalisme. En explorant les archives de presse numérisées à l'aide d'outils numériques, les étudi
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Tone mapping is a technique used in and computer graphics to map one set of colors to another to approximate the appearance of high-dynamic-range images in a medium that has a more limited dynamic range. Print-outs, CRT or LCD monitors, and projectors all have a limited dynamic range that is inadequate to reproduce the full range of light intensities present in natural scenes. Tone mapping addresses the problem of strong contrast reduction from the scene radiance to the displayable range while preserving the image details and color appearance important to appreciate the original scene content.
Digital imaging or digital image acquisition is the creation of a digital representation of the visual characteristics of an object, such as a physical scene or the interior structure of an object. The term is often assumed to imply or include the , , , printing and display of such images. A key advantage of a , versus an analog image such as a film photograph, is the ability to digitally propagate copies of the original subject indefinitely without any loss of image quality.
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