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Concept
The Tales of Hoffmann
Summary
The Tales of Hoffmann (French: Les contes d'Hoffmann) is an opéra fantastique by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere.
Offenbach saw a play, Les contes fantastiques d'Hoffmann, written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851.
After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which fr had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion.
Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. Shortly before he died, he wrote to Léon Carvalho: "Hâtez-vous de monter mon opéra. Il ne me reste plus longtemps à vivre et mon seul désir est d'assister à la première."("Hurry up and stage my opera. I have not much time left, and my only wish is to attend the opening night.")
The stories in the opera include:
"Der Sandmann" ("The Sandman"), 1816.
"Rath Krespel" ("Councillor Krespel", also known in English as "The Cremona Violin") 1818.
"Das verlorene Spiegelbild" ("The Lost Reflection") from Die Abenteuer der Sylvester-Nacht (The Adventures of New Year's Eve), 1814.
The opera was first performed in a public venue at the Opéra-Comique on 10 February 1881, without the third (Venice) act. It was presented in an abridged form at Offenbach's house, 8 Boulevard des Capucines, on 18 May 1879, with Madame Franck-Duvernoy in the soprano roles, Auguez as Hoffmann (baritone) and Émile-Alexandre Taskin in the four villain roles, with Edmond Duvernoy at the piano and a chorus directed by Albert Vizentini.
Official source
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