Ashihara no Nakatsukuniis, in Japanese mythology, the world between Takamagahara (Heaven) and Yomi (Hell). In time, the term became another word for the country or the location of Japan. The term can be used interchangeably with Toyoashihara no Nakatsukuni (豊葦原中国). There is a great dispute among historians about where exactly in Japan the term originally referred to. Perhaps the term was considered appropriate to describe Japan because the land was damp and covered with reeds (葦) in ancient times.
Noritoare liturgical texts or ritual incantations in Shinto, usually addressed to a given kami. The first written documentation of norito dates to 712 CE in the Kojiki and 720 CE in the Nihongi. The Engishiki, a compilation of laws and minute regulation presented by the court compiled in 927 CE, preserves twenty-seven representative forms of norito. There is no single universally accepted theory to explain the meaning of the term. One theory derives norito from noru (宣る, 'to declare'; cf.
Sumiyoshi sanjinis the generic name for the three Shinto gods Sokotsutsu no O no Mikoto (底筒男命), Nakatsutsu no O no Mikoto (中筒男命), and Uwatsutsu no O no Mikoto (表筒男命). The Sumiyoshi sanjin are regarded as the gods of the sea and sailing. They are sometimes referred to as the Sumiyoshi daijin. The Sumiyoshi taisha has four buildings dedicated to four kami—the three Sumiyoshi brothers and Empress Jingū who is also enshrined.
Watatsumi, also pronounced Wadatsumi, is a legendary kami (神, god; deity; spirit), Japanese dragon and tutelary water deity in Japanese mythology. Ōwatatsumi no kami is believed to be another name for the sea deity Ryūjin (龍神, Dragon God) and also for the Watatsumi Sanjin, which rule the upper, middle and lower seas respectively and were created when Izanagi was washing himself of the dragons blood when he returned from Yomi, "the underworld". The earliest written sources of Old Japanese transcribe the name of the sea god in a diverse manner.
Shinto in popular cultureShinto is frequently a theme in Japanese popular culture, including film, manga, anime, and video games. Shinto religion is at the core of Japanese culture and history and as such greatly affects the outcome of pop culture in modern Japan. Some works in Japanese or international popular culture borrow significantly from Shinto myths, deities, and beliefs. Aside from the many games, movies, manga and other cultural products that mention the religion or the names of its deities, some anime, film, video games, or other works feature Shinto elements as central elements.
Haraeor (祓 or 祓い) is the general term for ritual purification in Shinto. is one of four essential elements involved in a Shinto ceremony. The purpose is the purification of pollution or sins () and uncleanness (). These concepts include bad luck and disease as well as guilt in the English sense. is often described as purification, but it is also known as an exorcism to be done before worship. often involves symbolic washing with water, or having a Shinto priest shake a large paper shaker called or over the object of purification.
Kushinadahime, also known as Kushiinadahime or Inadahime (稲田姫、いなだひめ) among other names, is a goddess (kami) in Japanese mythology and the Shinto faith. According to these traditions, she is one of the wives of the god Susanoo, who rescued her from the monster Yamata no Orochi. As Susanoo's wife, she is a central deity of the Gion cult and worshipped at Yasaka Shrine. The goddess is named 'Kushinadahime' (櫛名田比売) in the Kojiki, while the Nihon Shoki variously names her 'Kushiinadahime' (奇稲田姫), 'Inadahime' (稲田姫), and 'Makamifuru-Kushiinadahime' (真髪触奇稲田媛).
Shimenawalit. 'enclosing rope' are lengths of laid rice straw or hemp rope used for ritual purification in the Shinto religion. vary in diameter from a few centimetres to several metres, and are often seen festooned with —traditional paper streamers. A space bound by typically indicates a sacred or ritually pure space, such as that of a Shinto shrine. are believed to act as a ward against evil spirits, and are often set up at a ground-breaking ceremony before construction begins on a new building.
Tenson kōrinIn Japanese mythology, the tenson kōrin is the descent of Amaterasu's grandson Ninigi-no-Mikoto from Heaven (Takamagahara) to Ashihara no Nakatsukuni; according to legend, the direct place of descent is at Takachiho-gawara in Japan. Following the tenson kōrin, Ninigi's son, Hoori, was born. After the Tenson Korin there were the Three Generations of Hyuga until Jimmu's Eastern Expedition when the Imperial House of Japan was founded.
Yata no KagamiYata no Kagami is a sacred bronze mirror that is part of the Imperial Regalia of Japan. The Yata no Kagami represents "wisdom" or "honesty," depending on the source. Its name literally means "The Eight Ata Mirror," a reference to its size. Mirrors in ancient Japan represented truth because they merely reflected what was shown, and were objects of mystique and reverence (being uncommon items). According to Shinsuke Takenaka at the Institute of Moralogy, Yata no Kagami is considered the most precious of the three sacred treasures.
