Concept
Ligature (writing)
Related concepts (52)
Fraktur
Fraktur (fʁakˈtuːɐ̯) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. Letters are designed such that the individual strokes are broken apart; in this way it is often contrasted with the curves of the Antiqua (common) typefaces where the letters are designed to flow and strokes connect together in a continuous fashion. The word "Fraktur" derives from Latin frāctūra ("a break"), built from frāctus, passive participle of frangere ("to break"), the same root as the English word "fracture".
Typesetting
Typesetting is the composition of text by means of arranging physical type (or sort) in mechanical systems or glyphs in digital systems representing characters (letters and other symbols). Stored types are retrieved and ordered according to a language's orthography for visual display. Typesetting requires one or more fonts (which are widely but erroneously confused with and substituted for typefaces). One significant effect of typesetting was that authorship of works could be spotted more easily, making it difficult for copiers who have not gained permission.
Long s
The long s , also known as the medial s or initial s, is an archaic form of the lowercase letter . It replaced the single s, or one or both of the letters s in a "double s" sequence (e.g., "sinfulness" for "sinfulness" and "possess" or "possess" for "possess", but never *"possess"). The modern letterform is known as the "short", "terminal", or "round" s. In typography, it is known as a type of swash letter, commonly referred to as a "swash s".
Carolingian minuscule
Carolingian minuscule or Caroline minuscule is a script which developed as a calligraphic standard in the medieval European period so that the Latin alphabet of Jerome's Vulgate Bible could be easily recognized by the literate class from one region to another. It is thought to have originated before AD 778 at the scriptorium of the Benedictine monks of Corbie Abbey, about north of Paris, and then developed by Alcuin of York for wide use in the Carolingian Renaissance.
Italic type
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Along with blackletter and roman type, it served as one of the major typefaces in the history of Western typography. Owing to the influence from calligraphy, italics normally slant slightly to the right, like so. Different glyph shapes from roman type are usually used - another influence from calligraphy - and upper-case letters may have swashes, flourishes inspired by ornate calligraphy.
Hyphen
The hyphen is a punctuation mark used to join words and to separate syllables of a single word. The use of hyphens is called hyphenation. Son-in-law is an example of a hyphenated word. The hyphen is sometimes confused with dashes (en dash and em dash and others), which are longer, or with the minus sign , which is also longer and usually higher up to match the crossbar in the plus sign . As an orthographic concept, the hyphen is a single entity.
Letter case
Letter case is the distinction between the letters that are in larger uppercase or capitals (or more formally majuscule) and smaller lowercase (or more formally minuscule) in the written representation of certain languages. The writing systems that distinguish between the upper- and lowercase have two parallel sets of letters: each in the majuscule set has a counterpart in the minuscule set. Some counterpart letters have the same shape, and differ only in size (e.g. {C,c} or {S,s}), but for others the shapes are different (e.
Typeface
A typeface (or font family) is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size (e.g., 24 point), weight (e.g., light, bold), slope (e.g., italic), width (e.g., condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called type design.
Hieratic
Hieratic (haɪəˈrætɪk; hieratiká) is the name given to a cursive writing system used for Ancient Egyptian and the principal script used to write that language from its development in the third millennium BC until the rise of Demotic in the mid-first millennium BC. It was primarily written in ink with a reed pen on papyrus. In the second century, the term hieratic was used for the first time by the Greek scholar Clement of Alexandria to describe this Ancient Egyptian writing system.
Emphasis (typography)
In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. It is the equivalent of prosody stress in speech. The most common methods in Western typography fall under the general technique of emphasis through a change or modification of font: italics, boldface and . A means of emphasis that does not have much effect on blackness is the use of italics, where the text is written in a script style, or oblique, where the vertical orientation of each letter of the text is slanted to the left or right.