Concept
Italian neorealism
Related concepts (9)
French New Wave
The New Wave (Nouvelle Vague), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes.
Italians
Italians (Italiani, itaˈljaːni) are an ethnic group native to the Italian geographical region. Italians share a common culture, history, ancestry and language. Their predecessors differ regionally, but generally include native populations such as the Etruscans, the Rhaetians, the Ligurians, the Adriatic Veneti, and the Italic peoples, including the Latins, from which the Romans emerged and helped create and evolve the modern Italian identity.
Rome, Open City
Rome, Open City (Roma città aperta), also released as Open City, is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei, Celeste Negarville and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to the status of Rome as an open city following its declaration as such on 14 August 1943.
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe.
Neorealism (art)
In art, neorealism refers to a few movements. Portuguese neorealism was a Marxist literary movement that began slightly before Salazar's reign. It was mostly in line with socialist realism. Neo-realism in painting was established by the ex-Camden Town Group painters Charles Ginner and Harold Gilman at the beginning of World War I. They set out to explore the spirit of their age through the shapes and colours of daily life.
Social realism
Social realism is the term used for work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions. While the movement's characteristics vary from nation to nation, it almost always uses a form of descriptive or critical realism. The term is sometimes more narrowly used for an art movement that flourished between the two World Wars as a reaction to the hardships and problems suffered by common people after the Great Crash.
Martin Scorsese
Martin Charles Scorsese (skɔːrˈsɛsi , skorˈseːze, -eːse; born November 17, 1942) is an American and Italian film director, producer, screenwriter and actor. Scorsese emerged as one of the major figures of the New Hollywood era. He is the recipient of many major accolades, including an Academy Award, four BAFTA Awards, three Emmy Awards, a Grammy Award, three Golden Globe Awards, and two Directors Guild of America Awards. He has been honored with the AFI Life Achievement Award in 1997, the Film Society of Lincoln Center tribute in 1998, the Kennedy Center Honor in 2007, the Cecil B.
Film noir
Film noir (nwɑːr; film nwaʁ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.
Cinema of Italy
The cinema of Italy (Cinema italiano, ˈtʃiːnema itaˈljaːno) comprises the films made within Italy or by Italian directors. Since its beginning, Italian cinema has influenced film movements worldwide. Italy is one of the birthplaces of art cinema and the stylistic aspect of film has been the most important factor in the history of Italian film. As of 2018, Italian films have won 14 Academy Awards for Best Foreign Language Film (the most of any country) as well as 12 Palmes d'Or (the second-most of any country), one Academy Award for Best Picture and many Golden Lions and Golden Bears.