Literary theory | EPFL Graph Search

Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning. In the humanities in modern academia, the latter style of literary scholarship is an offshoot of post-structuralism. Consequently, the word theory became an umbrella term for scholarly approaches to reading texts, some of which are informed by strands of semiotics, cultural studies, philosophy of language, and continental philosophy. The practice of literary theory became a profession in the 20th century, but it has historical roots that run as far back as ancient Greece (Aristotle's Poetics is an often cited early example), ancient India (Bharata Muni's Natya Shastra), and ancient Rome (Longinus's On the Sublime). In medieval times, scholars in the Middle East (Al-Jahiz's al-Bayan wa-'l-tabyin and al-Hayawan, and ibn al-Mu'tazz's Kitab al-Badi) and Europe continued to produce works based on literary studies. The aesthetic theories of philosophers from ancient philosophy through the 18th and 19th centuries are important influences on current literary study. The theory and criticism of literature are tied to the history of literature. Some scholars, both theoretical and anti-theoretical, refer to the 1980s and 1990s debates on the academic merits of theory as "the theory wars". Some scholars like Mark Bauerlein continue to argue that less capable theorists have abandoned proven methods of epistemology, resulting in persistent lapses in learning, research, and evaluation. One of the fundamental questions of literary theory is "what is literature?" – although many contemporary theorists and literary scholars believe either that "literature" cannot be defined or that it can refer to any use of language. Specific theories are distinguished not only by their methods and conclusions, but even by how they create meaning in a "text".

Care. Emerging Natures

Pieter Versteegh

The work addresses research by design as a subject and a method. It explores theorizations, experimentations, and verifications, all of them engaged in writing, drawing and building. It is discovery-led, and starts from a blurry "state of the arts". It oscillates between architectural processes, products and performance without considering any of them isolated as research. Its relevance emerges. It is the design process that constructs, delimits the research corpus and produces architectural insight and knowledge. The first part addresses architectural meaning. It engages interdisciplinary connections: structuralism in linguistics and philosophy, color theory, and a displacement into deconstruction. It concludes that, although an architectural design process can deliberately try to produce and uphold determinate architectural meaning, such (objective) meaning is immediately deviated, notably by the appearance of architectural usages, scale, and possibilities of appropriation. The second part investigates deviation as a substantial part of architectural creation. If noise is irreducible, it must also structure architectural creation. It connects to domains resisting to reductionist thought: complexity sciences, literary critics, archaeological processes, and theorizations dealing with the secondary such as psychoanalysis and gender studies. The work is marked by a dilemma related to empowerment: the originality and authenticity of design and its delivery at a certain moment always seem to prohibit inhabitation, appropriation. The secondary, subject to dominant, single authorship, becomes primary. Architecture seems resistant to modernity in the Kantian sense. The work re-centers on psychiatry, gender studies and (health) care: the understanding of natures rather than appearance, structure or essence. In the third part, it moves from the production of difference to inscriptions of memories and future possibilities; from design as making to design as the initiation and care of a shared transformation process, accompaniment of differance. The understanding of architectural reality shifts from the finality of object to a process beyond control, co-construction between different authors/users occurring in minor events, in a very local and specific context. The work proposes a design process driven by care, encounter of authors and users in quality, accompanying different and specific emerging natures of (territorial) identity.

EPFL2012

Care. Emerging Natures

Pieter Versteegh

EPFL2012