TakamagaharaIn Japanese mythology, Takamagahara (高天原, "Plane of High Heaven" or "High Plane of Heaven", also read as Takaamanohara, Takamanohara, Takaamagahara, or Takaamahara), is the abode of the heavenly gods (amatsukami). Often depicted as located up in the sky, it is believed to be connected to the Earth by the bridge Ame-no-ukihashi (the "Floating Bridge of Heaven"). In Shinto, ame (heaven) is a lofty, sacred world, the home of the Kotoamatsukami.
YomiYomi or Yomi-no-kuni is the Japanese word for the land of the dead (World of Darkness). According to Shinto mythology as related in Kojiki, this is where the dead go in the afterlife. Once one has eaten at the hearth of Yomi it is (mostly) impossible to return to the land of the living. Yomi in Japanese mythology is comparable to Hades or Sheol and is most commonly known for Izanami's retreat to that place after her death. Izanagi followed her there and upon his return he washed himself, creating Amaterasu, Susanoo, and Tsukuyomi-no-Mikoto in the process.
Izanami, formally known as Izanami-no-Mikoto, is the creator deity of both creation and death in Japanese mythology, as well as the Shinto mother goddess. She and her brother-husband Izanagi are the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanami and Izanagi are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo.
Susanoo-no-MikotoFORCETOC Susanoo (スサノオ; historical orthography: スサノヲ, ) is a in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture.
IzanagiIzanagi (イザナギ/伊邪那岐/伊弉諾) or Izanaki (イザナキ), formally known as Izanagi-no-Mikoto, is the creator deity (kami) of both creation and life in Japanese mythology. He and his sister-wife Izanami are the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi, and the storm god Susanoo.
KojikiThe "Records of Ancient Matters" or "An Account of Ancient Matters", also sometimes read as or , is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the 神, and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan.
Japanese mythologyJapanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto, traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Chinese and Indian myths are also key influences in Japanese religious belief. Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion, and the Shinto pantheon holds countless kami (Japanese for "god(s)" or "spirits").
AmaterasuAmaterasu, also known as Amaterasu Ōmikami (天照大御神, 天照大神) or Ōhirume no Muchi no Kami (大日孁貴神), is the goddess of the sun in Japanese mythology. One of the major deities (kami) of Shinto, she is also portrayed in Japan's earliest literary texts, the Kojiki (712 CE) and the Nihon Shoki (720 CE), as the ruler (or one of the rulers) of the heavenly realm Takamagahara and the mythical ancestress of the Imperial House of Japan via her grandson Ninigi.
