A pointed arch, ogival arch, or Gothic arch is an arch with a pointed crown, whose two curving sides meet at a relatively sharp angle at the top of the arch. This architectural element was particularly important in Gothic architecture. The earliest use of a pointed arch dates back to bronze-age Nippur. As a structural feature, it was first used in eastern Christian architecture, Byzantine architecture and Sasanian architecture, but in the 12th century it began to be used in France and England as an important structural element, in combination with other elements, such as the rib vault and later the flying buttress. These allowed the construction of cathedrals, palaces and other buildings with dramatically greater height and larger windows which filled them with light.
Crude arches pointed in shape have been discovered from the Bronze Age site of Nippur dated earlier than 2700 BC. The palace of Nineveh also has pointed arched drains but they have no true keystone. There are many other late Roman and Sassanian examples, mostly evidenced in early church building in Syria and Mesopotamia, but also in engineering works such as the Byzantine Karamagara Bridge, with a pointed arch of 17 m span, making "the pre-Muslim origins of pointed architecture an unassailable contention".
File:قصر العاشق 03.JPG|Restored [[Abbasid architecture]] arches of the city gates of [[Samarra]] (9th century)
File:Ibn-Tulun-Moschee 2015-11-14i.jpg|Central prayer niche in the [[Mosque of Ibn Tulun]] in Cairo (876–879 CE)
File:Ar^Raqqa SYRIE 324.jpg|The 11th/12th century Baghdad Gate, [[Raqqa]]
File:Zubaida tomb.JPG|[[Zumurrud Khatun Mosque and Mausoleum]], [[Baghdad]], [[Iraq]] (12th century)
File:SamarkandBibiKhanym.jpg|Bibi-Khanym Mosque, [[Samarkand]], [[Uzbekistan]] (1399–1404)
File:AspendosBrücke1.jpg|The [[Eurymedon Bridge]] in Turkey, originally built by the Romans and rebuilt with a pointed arch in the 13th century by the [[Sultanate of Rum|Seljuk Turkish Sultan]]
File:Lotfollah mosque, isfahan.
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Le cours présente les bases du comportement des structures, de la détermination des efforts qui y agissent et les principes de leur dimensionnement. Le cours est basé sur la résolution des efforts par
Gothic cathedrals and churches are religious buildings created in Europe between the mid-12th century and the beginning of the 16th century. The cathedrals are notable particularly for their great height and their extensive use of stained glass to fill the interiors with light. They were the tallest and largest buildings of their time and the most prominent examples of Gothic architecture. The appearance of the Gothic cathedral was not only a revolution in architecture; it also introduced new forms in decoration, sculpture, and art.
Perpendicular Gothic (also Perpendicular, Rectilinear, or Third Pointed) architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century.
Notre-Dame de Reims (ˌnɒtrə_ˈdɑːm,_ˌnoʊtrə_ˈdeɪm,_ˌnoʊtrə_ˈdɑːm; nɔtʁə dam də ʁɛ̃s; meaning "Our Lady of Reims"), known in English as Reims Cathedral, is a Roman Catholic cathedral in the French city of the same name, the archiepiscopal see of the Archdiocese of Reims. The cathedral was dedicated to the Virgin Mary and was the traditional location for the coronation of the kings of France. The cathedral church is thought to have been founded by the bishop Nicasius in the early 5th century.
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The recent development of the “Common” as an interdisciplinary field of reflection seems to show some restraint with respect to the architectural culture that precedes it. This proposal invites to explore the intensities and the reasons for such a resistan ...
The recent development of the “Common” as an interdisciplinary field of reflection seems to show some restraint with respect to the architectural culture that precedes it. This proposal invites to explore the intensities and the reasons for such a resistan ...