In the visual arts, a cityscape (urban landscape) is an artistic representation, such as a painting, drawing, print or photograph, of the physical aspects of a city or urban area. It is the urban equivalent of a landscape. Townscape is roughly synonymous with cityscape, though it implies the same difference in urban size and density (and even modernity) implicit in the difference between the words city and town. In urban design the terms refer to the configuration of built forms and interstitial space.
From the first century A.D. dates a fresco at the Baths of Trajan in Rome depicting a bird's eye view of an ancient city. In the Middle Ages, cityscapes appeared as a background for portraits and biblical themes. From the 16th up to the 18th century numerous copperplate prints and etchings were made showing cities in bird's eye view. The function of these prints was to provide a map-like overview.
In Ancient China, scroll paintings such as Along the River During the Qingming Festival (Qingming Shanghe Tu) offer a panoramic view of the cities depicted.
Halfway through the 17th century the cityscape became an independent genre in the Netherlands. In his famous View of Delft in 1660–1661 Jan Vermeer painted a quite accurate portrait of the city Delft. Cities like Amsterdam, Haarlem and The Hague also became popular subjects for paintings. Painters from other European countries (i.e., Great Britain, France, Germany) followed the Dutch example. The 18th century was a flourishing period for cityscape painting in Venice (Canaletto, Guardi).
At the end of the 19th century the impressionists focused on the atmosphere and dynamics of everyday life in the city. Suburban and industrial areas, building sites and railway yards also became subjects for cityscapes. During the 20th century attention became focused on abstract and conceptual art, and thus the production of cityscapes declined. American painter Edward Hopper, who stayed loyal to figurative painting, created intriguing images of the American scene.
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition.
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting").
A veduta (Italian for "view"; plural vedute) is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of vedute are referred to as vedutisti. This genre of landscape originated in Flanders, where artists such as Paul Bril painted vedute as early as the 16th century. In the 17th century, Dutch painters made a specialty of detailed and accurate recognizable city and landscapes that appealed to the sense of local pride of the wealthy Dutch middle class.
Un atelier sur la lecture et l'écriture du Paysage.
Projeter des paysages demande d'osciller entre l' échelle territoriale et humaine, de développer des concepts spatiaux travaillant avec des élément
Le studio poursuit une recherche pour développer des projets innovants pour une Suisse prête à réagir aux défis territoriaux contemporains. Projeter des paysages demande d'osciller entre les échelles
Le studio poursuit une recherche pour développer des projets innovants pour une Suisse prête à réagir aux défis territoriaux contemporains. Projeter des paysages demande d'osciller entre les échelles
This article explores the conception, design, and implementation of a hypertextual map that we call hypermap. Using Giovanni Nolli's 1748 map of the city of Rome as a backbone, we conducted an experiment based on one of the routes defined by Giuseppe Vasi' ...
In the first sentence of her book,The lonely city, British writer Olivia Laing (2016, p 3) asks the reader to imagine him- or herself standing at the window at night, when dark and illuminated windows compose the urban landscape. ‘Inside’, she writes, ‘str ...
Today, institutionalised discourses surrounding heritage have social and physical impacts, with the potential to lead to a break between inhabitants' collective memory of popular neighbourhoods, and their transforming territories. In this context, the acti ...