Blue pigments are natural or synthetic materials, usually made from minerals and insoluble with water, used to make the blue colors in painting and other arts. The raw material of the earliest blue pigment was lapis lazuli from mines in Afghanistan, that was refined into the pigment ultramarine. Since the late 18th and 19th century, blue pigments are largely synthetic, manufactured in laboratories and factories.
Ultramarine was historically the most prestigious and expensive of blue pigments. It was produced from lapis lazuli, a mineral whose major source was the mines of Sar-e-Sang in what is now northeastern Afghanistan. It was transformed into a pigment by the Afghans beginning in about the 5th century, and exported by caravans to India. It was the most expensive blue used by Renaissance artists. It was often reserved for special purposes, such as painting the robes of the Virgin Mary. Johannes Vermeer used ultramarine only for the most important surfaces where he wanted to attract attention. Pietro Perugino, in his depiction of the Madonna and Child on the Certosa de Pavio Altarpiece, painted only the top level of the Virgin's robes in ultramarine, with azurite beneath.
File:Lapis-lazuli hg.jpg|Lapis lazuli in its natural state
File:Natural ultramarine pigment.jpg|Natural ultramarine
File:The Wilton Diptych (Right).jpg|The [[Wilton Diptych]] (''c.'' 1395-1399)Unknown artist
File:Pietro Perugino cat61.jpg|Detail from the [[Certosa di Pavia Altarpiece]] (''c''. 1496-1500)[[Pietro Perugino]]
File:Johannes Vermeer - Het melkmeisje - Google Art Project.jpg|''[[The Milkmaid (Vermeer)|Het melkmeisje]]'' (1658)[[Johannes Vermeer]]
Ultramarine became more widely used after its successful synthesis in the 19th century, which reduced its price substantially. In 1814, a French chemist named Tassaert observed the spontaneous formation of a blue compound, very similar to ultramarine, in a lime kiln at St. Gobain. In 1824, the Societé pour l'Encouragement d'Industrie offered a prize for the artificial production of the precious color.
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Cobalt blue is a blue pigment made by sintering cobalt(II) oxide with aluminum(III) oxide (alumina) at 1200 °C. Chemically, cobalt blue pigment is cobalt(II) oxide-aluminium oxide, or cobalt(II) aluminate, CoAl2O4. Cobalt blue is lighter and less intense than the (iron-cyanide based) pigment Prussian blue. It is extremely stable and historically has been used as a coloring agent in ceramics (especially Chinese porcelain), jewelry, and paint. Transparent glasses are tinted with the silica-based cobalt pigment "smalt".
A pigment is a colored substance that is completely or nearly insoluble in water. In contrast, dyes are typically soluble, at least at some stage in their use. Generally dyes are often organic compounds whereas pigments are often inorganic compounds. Pigments of prehistoric and historic value include ochre, charcoal, and lapis lazuli. In 2006, around 7.4 million tons of inorganic, organic, and special pigments were marketed worldwide. According to an April 2018 report by Bloomberg Businessweek, the estimated value of the pigment industry globally is $30 billion.
Prussian blue also known as Berlin blue, Brandenburg blue, Parisian and Paris blue is a dark blue pigment produced by oxidation of ferrous ferrocyanide salts. It has the chemical formula Fe[Fe(CN)]. Turnbull's blue is chemically identical, but is made from different reagents, and its slightly different color stems from different impurities and particle sizes. Prussian blue was created in the early 18th century and is the first modern synthetic pigment. It is prepared as a very fine colloidal dispersion, because the compound is not soluble in water.
Basic course in biochemistry as well as cellular and molecular biology for non-life science students enrolling at the Master or PhD thesis level from various engineering disciplines. It reviews essent
Regular arrays of colloidal particles can produce striking structural colors without the need for any chemical pigments. Regular arrays of colloidal particles can be processed into microparticles via emulsion templates for use as structural colorants. Phot ...
Washington2023
Phthalocyanines (Pcs) are robust and intensely colored macrocycles (blue pigments) with high chemical, thermal and light stability, properties that are of paramount importance for realistic photovoltaic applications. In particular, Pcs have played a very i ...
2019
,
The unique and visually mesmerizing appearance of pearlescent materials has made them an indispensable ingredient in a diverse array of applications including packaging, ceramics, printing, and cosmetics. In contrast to their natural counterparts, such syn ...