Concept

Renaissance philosophy

Summary
The designation "Renaissance philosophy" is used by historians of philosophy to refer to the thought of the period running in Europe roughly between 1400 and 1600. It therefore overlaps both with late medieval philosophy, which in the fourteenth and fifteenth centuries was influenced by notable figures such as Albert the Great, Thomas Aquinas, William of Ockham, and Marsilius of Padua, and early modern philosophy, which conventionally starts with René Descartes and his publication of the Discourse on Method in 1637. The structure, sources, method, and topics of philosophy in the Renaissance had much in common with those of previous centuries. Particularly since the recovery of a great portion of Aristotelian writings in the twelfth and thirteenth centuries, it became clear that, in addition to Aristotle's writings on logic, which had already been known, there were numerous others roughly having to do with natural philosophy, moral philosophy, and metaphysics. These areas provided the structure for the philosophy curriculum of the emerging universities. The general assumption was that the most 'scientific' branches of philosophy were those that were more theoretical and therefore more widely applicable. During the Renaissance too, many thinkers saw these as the main philosophical areas, with logic providing a training of the mind to approach the other three. A similar continuity can be seen in the case of sources. Although Aristotle was never an unquestioned authority (he was more often than not a springboard for discussion, and his opinions were often discussed along those of others, or the teaching of Holy Scripture), medieval lectures in physics consisted of reading Aristotle's Physics, lessons in moral philosophy consisted of examinations of his Nicomachean Ethics (and often his Politics), and metaphysics was approached through his Metaphysics. The assumption that Aristotle's works were foundational to an understanding of philosophy did not wane during the Renaissance, which saw a flourishing of new translations, commentaries, and other interpretations of his works, both in Latin and in the vernacular.
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