Concept

Imagination

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AR-101: Studio BA1

Le cours vise à l'acquisition des outils essentiels au projet et à une compréhension de l'architecture comme savoir-faire, pensée, et attitude qui interroge l'inscription des êtres vivants dans leur e

HUM-339: Ancient Mediterranean: bringing myths up to date

Le cours explore, sous la forme de projets de groupes, les textes fondateurs des cultures antiques (Proche-Orient ancien, Grèce, Rome, Egypte). En fin de semestre, les groupes présentent leur oeuvre d

HUM-419: Myths of the ancient Mediterranean Sea I

Le cours explore les mythes et les textes fondateurs des cultures antiques (Monde biblique, Grèce, Rome, Egypte). Explorant leurs significations, leurs réceptions, il s'agit de dérouler une histoire d

AR-302(am): Studio BA6 (Everaert and Lateur)

'Preparing for the apocalypse' takes you to Puglia, where people are confronted with millions of century-old olive trees dying. In dialogue with local communities, we will explore whether architecture

HUM-237: Ancient Mediterranean: gods, heroes and monsters

AR-202(r): Studio BA4 (Gay et Menzel)

The studio focusses on contextual imaginary. Developing narratives, inspired both by the site and by the student's imagination leads to a theme sustaining the project. The narrative helps the student

AR-480: UE X : Experience design

Experience Design examines the effects of digitalization on architectural typologies in the contemporary city. The course questions traditional typologies by focusing on an understanding and re-design

AR-201(r): Studio BA3 (Gay et Menzel)

The studio focusses on contextual imaginary. Developing narratives, inspired both by the site and by the student's imagination leads to a theme sustaining the project. The narrative helps the student

HUM-387: How technology shapes the workplace of the future

Artificial intelligence, big data, and advances in computing power have triggered a technological revolution that may have enormous bearing on the workplace and the labor market. This course provides

AR-404: UE A : Art and architecture

To train painting we must, first and foremost, train our gaze and our eyes to select, focus, caress, become inflamed. Learning to draw or paint means learning to see, to discover the physical porosity