Dramatis personae (Latin: 'persons of the drama') are the main characters in a dramatic work written in a list. Such lists are commonly employed in various forms of theatre, and also on screen. Typically, off-stage characters are not considered part of the dramatis personae. It is said to have been recorded in English since 1730, and is also evident in international use.
It is customary to give a cast list, which also has next to each character in a second column the name of the actor or actress playing the part; an alternative version lists the names of the actors who played the parts originally. In order not to give away vital parts of the plot some names may be altered, for example, mixed up with another name. Some minor characters may be listed just as the actors who perform the parts.
In a wider sense, the term can be applied to any situation in which people or characters play a role, or appear to do so—such as a metaphor, a drama, or a court case. It may also be facetiously applied in a situation where members of a group appear to play predictable roles, often for comic effect.
Literary critic Vladimir Propp in his book Morphology of the Folktale uses the term dramatis personae when referring to the character roles of fairy tales, from his analysis of the Russian tales of Alexander Afanasiev.
It is also sometimes used in anthropology to denote the roles people assume when performing a social ritual, as used by Clifford Geertz in his study of Balinese ritual.
Outside the theatre medium, some novels also have a dramatis personae at the beginning or end. This is most common in books with very large casts of characters, as well as children's books and speculative fiction.
For example, the opening pages of Jon Krakauer's Into Thin Air contain a dramatis personae.
Other examples include Worldwar: In the Balance by Harry Turtledove, and The Horus Heresy by various authors.
The term is used to describe the multiple identifications one may adopt in an attempt to emphasize the expression of one's own individualism.
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Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms.
An actor or actress is a person who portrays a character in a production. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is ὑποκριτής (), literally "one who answers". The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters.
In fiction, a character is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749.
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