Résumé
Eth (ɛð, uppercase: Ð, lowercase: ð; also spelled edh or eð), known as ðæt in Old English, is a letter used in Old English, Middle English, Icelandic, Faroese (in which it is called edd), and Elfdalian. It was also used in Scandinavia during the Middle Ages, but was subsequently replaced with , and later . It is often transliterated as . The lowercase version has been adopted to represent a voiced dental fricative in the International Phonetic Alphabet. In Old English, (called ðæt) was used interchangeably with to represent the Old English dental fricative phoneme θ or its allophone ð, which exist in modern English phonology as the voiced and voiceless dental fricatives both now spelled . Unlike the runic letter , is a modified Roman letter. Neither nor was found in the earliest records of Old English. A study of Mercian royal diplomas found that (along with ) began to emerge in the early 8th century, with becoming strongly preferred by the 780s. Another source indicates that the letter is "derived from Irish writing". Under King Alfred the Great, grew greatly in popularity and started to overtake . completely overtook by Middle English, and died out by Early Modern English, mostly due to the rise of the printing press, and was replaced by the digraph th. In Icelandic, , called "eð", represents an alveolar non-sibilant fricative, voiced ð̠ intervocalically and word-finally, and voiceless θ̠ otherwise, which form one phoneme, /θ/. Generally, /θ/ is represented by thorn at the beginning of words and by elsewhere. The in the name of the letter is devoiced in the nominative and accusative cases: [ɛθ̠]. In the Icelandic alphabet, follows . In Faroese, is not assigned to any particular phoneme and appears mostly for etymological reasons, but it indicates most glides. When appears before , it is in a few words pronounced [ɡ]. In the Faroese alphabet, follows . In Olav Jakobsen Høyem's version of Nynorsk based on Trøndersk, was always silent, and was introduced for etymological reasons.
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Cours associés (1)
CH-335: Asymmetric synthesis and retrosynthesis
La première partie du cours décrit les méthodes classiques de synthèse asymétrique. La seconde partie du cours traite des stratégies de rétrosynthèse basées sur l'approche par disconnection.