Artiste

Résumé

vignette|Premier artiste, statue de Paul Richier, 1890. Un artiste est un individu faisant (une) œuvre, cultivant ou maîtrisant un art, un savoir, une technique, et dont on remarque entre autres la créativité, la poésie, l'originalité de sa production, de ses actes, de ses gestes. Ses œuvres sont source d'émotions, de sentiments, de réflexion, de spiritualité ou de transcendance. Origine du mot artiste L'artiste au Moyen Âge Aristote a imposé une coupure entre science théorique (épistémè) et arts appliqués (tekhnè). vignette|Martianus CapellaAllégorie de la grammaire dans un manuscrit du L'université de Paris est composée de quatre facultés : faculté des arts, faculté de théologie, faculté de décret et faculté de médecine. La faculté des arts offrait aux étudiants l'enseignement nécessaire à l'entrée dans les trois autres facultés; Cet enseignement était fondé sur les sept arts libéraux comprenant le trivium et le quadrivium. Cette codification s'était p

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Publications associées (8)

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Concepts associés (17)

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Cours associés (12)

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Séances de cours associées (16)

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An Interactive Tool for Gamut Masking

Cheryl Shaulya Lau, Ying Song, Sabine Süsstrunk

Artists often want to change the colors of an image to achieve a particular aesthetic goal. For example, they might limit colors to a warm or cool color scheme to create an image with a certain mood or feeling. Gamut masking is a technique that artists use to limit the set of colors they can paint with. They draw a mask over a color wheel and only use the hues within the mask. However, creating the color palette from the mask and applying the colors to the image requires skill. We propose an interactive tool for gamut masking that allows amateur artists to create an image with a desired mood or feeling. Our system extracts a 3D color gamut from the 2D user-drawn mask and maps the image to this gamut. The user can draw a different gamut mask or locally refine the image colors. Our voxel grid gamut representation allows us to represent gamuts of any shape, and our cluster-based image representation allows the user to change colors locally.

2014

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SPIE-Int Soc Optical Engineering2014

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Carlo Helman : merchant, patron and collector in the Antwerp – Venice migrant network

Isabella Di Lenardo

This contribution is part of the monographic number of the Nederlands Yearbook for History of Art dedicated to a large overview on the “Art and Migration. Nethelandish Artists on the Move, 1400-1750”. In the dynamics of migration, circulation, establishing trough Europe in the Modern Era, the network’s analysis play a fundamental role. The essay explores the prominent role played by Antwerp merchants in Venice in forging contacts between artists, patrons and agent of art in promoting the exchange of goods and ideas within their adopted home. In the course of the 16th century, and more particularly towards the end of that period, the complex network of Netherlandish merchant families, operating on a European level, played a crucial role in the circulation of artists, paintings and other artworks in Italy and beyond. The article proposed here deals with Carlo Helman, a Venetian resident of Antwerp origins, a major figure whose importance in this context has been insufficiently studied. Helman’s family firm traded in practically every kind of commodity, ranging from wool and spices to pearls and diamonds, and, indeed, artworks, “in omnibus mundis regnis”, as we read in the commemorative inscription on his monumental tomb in the Venetian church of Santa Maria Formosa. A high-class international trader in Venice, Helman was consul of the “Nattione Fiamenga”. Helman had a conspicuous collection of art, including classics of the “Venetian maniera” like Titian, Veronese and Bassano, but also important pictures by Northern masters. Moreover, his collection contained a remarkable cartographic section. In Venice, Helman had contacts with the Bassano dynasty, Paolo Fiammingo, Dirck de Vries, Lodewijck Toeput (Pozzoserrato) and the Sadeler brothers, artists who, in one way or another, introduced novel themes and typologies on the Italian, and, indeed, European market. The dedication to Helman on a print by Raphael Sadeler, reproducing Bassano’s Parable of the Sower, photographs the merchant’s role in the diffusion of Bassanesque themes in the North. Helman’s connections with the Zanfort brothers, dealers in tapestries and commercial agents of Hieronymus Cock are further indications of the merchant’s exemplary role of collector, merchant and agent of artists in a European network of “art” commerce.

Brill2014

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Carlo Helman : merchant, patron and collector in the Antwerp – Venice migrant network

Isabella Di Lenardo

Brill2014