Concept

Abacule

A tessera (plural: tesserae, diminutive tessella) is an individual tile, usually formed in the shape of a square, used in creating a mosaic. It is also known as an abaciscus or abaculus. The oldest known tesserae date to the 3rd millennium BC, discovered in the ancient city of Shahdad in Kerman province, Iran. In early antiquity, mosaics were formed from naturally formed colored pebbles. By roughly 200 BC cut stone tesserae were being used in Hellenistic-Greek mosaics. For instance, a large body of surviving material from the Hellenistic period can be found in the mosaics of Delos, Greece, dating to the late 2nd century BC. Ancient Roman decorative mosaic panels and floor mosaics were also produced during the 2nd century BC, particularly at sites such as Pompeii. Marble or limestone were cut into small cubes and arranged into representational designs and geometric patterns. Later, tesserae were made from colored glass, or clear glass backed with metal foils. The Byzantines used tesserae with gold leaf, in which case the glass pieces were flatter, with two glass pieces sandwiching the gold. This produced a golden reflection emanating from in between the tesserae as well as their front, causing a far richer and more luminous effect than even plain gold leaf would create. These are manufactured glass tiles made to a uniform shape and size. They are made by molten glass being poured into trays and fired. An imprint of grooves is made on their underside for help with adhesion to cement when fixing. Iridised (with a reflective quality), marbled (featuring contrasting and complementary colors), metallic (semi-transparent with gold or bronze veins), and millefiori (round handmade Murano tesserae with intricate patterns) tesserae are also widely used. These are the cheapest range of bought materials and can be glazed or unglazed. The glazed ceramic tiles have the color painted onto the top of the clay and then fired to a high temperature in a kiln. The unglazed or body glazed version has the color mixed into the wet clay so the color runs through them.

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